Poetry and Possibility |
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Page 4
... question from the inside of a period from which we are now very distant . His conclusion echoes a famous couplet in Boileau's Art poétique ( I 153-4 ) , which itself echoes Horace : ' Ce que l'on conçoit bien s'énonce clairement , / Et ...
... question from the inside of a period from which we are now very distant . His conclusion echoes a famous couplet in Boileau's Art poétique ( I 153-4 ) , which itself echoes Horace : ' Ce que l'on conçoit bien s'énonce clairement , / Et ...
Page 91
... question of using Hopkins's poetics somehow t correct or amend Wordsworth's , but of studying what that poetic can look like in action , especially since Hopkins was working in period when such confidence and such declarativeness wer ...
... question of using Hopkins's poetics somehow t correct or amend Wordsworth's , but of studying what that poetic can look like in action , especially since Hopkins was working in period when such confidence and such declarativeness wer ...
Page 137
... questions that he has asked over and again , questions that even stand behind his translations from Yeats and his several essays on translation , and that seem to be in the background of his numerous translations from Shakespeare ...
... questions that he has asked over and again , questions that even stand behind his translations from Yeats and his several essays on translation , and that seem to be in the background of his numerous translations from Shakespeare ...
Contents
Writing Paradise Lost | 1 |
La Fontaine and the Subversion of Poetry | 22 |
A Meaning for MockHeroic | 32 |
Copyright | |
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Aeneid Arrurruz become body Boileau Bonnefoy's Book breath Chaos Charles Tomlinson Christ Christian colour darkness death describes divine Douve earth El Greco Emma epic Essay experience fact Fall fallen world fire Fontaine ghost ghost world Hardy Hardy's heaven Hell Hill hint Hopkins human hymns imagination inscape inspiration invisible kind La Fontaine language leurre leurre du seuil light lines looks Lutrin M. H. Abrams Marianne Moore meaning Mercian Hymns metaphor Milton mock-heroic moreover move Muse mystery Nature objects opening Paradise Lost passage periphrasis perspective phrase poem poem's poet poetics Poetry and Possibility Pope Pope's Prelude present reader reading realise reality recalls recreation recreative reference reflection relation renewal salamander Satan seems sense sequence Spirit stanza stress suggests surely Tha language things thought transcendence transfigured transformed true expression verse wind word wordplay Wordsworth writing Yves Bonnefoy