Asian American Literature in the International Context: Readings on Fiction, Poetry and PerformanceIn their different and yet complementary perspectives, all of the essays in this collection reiterate the universal lesson of pluralism. They are divided into sections that deal with biraciality and biculturality, interethnic negotiations, poetic creations, narrative experiments, and (re)constructing self. The wide variety of approaches reflects the contributors' training in different cultures and across cultures. The book showcases refreshing new perspectives in reading that combine the views of literary scholars from three different continents. This collection creates a space for discussion and commentary, of heightened appreciation and increased creativity, a forum that turns the discipline of Asian American Studies into a truly intercultural debate. |
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Page 86
He has a pole that he can make small to carry , big to hit people with ” ( 156 ) .
Sally also emphasizes the Monkey ' s power to masquerade in other guises ,
which she associates with the dual identity that her father comes to have for the
young ...
He has a pole that he can make small to carry , big to hit people with ” ( 156 ) .
Sally also emphasizes the Monkey ' s power to masquerade in other guises ,
which she associates with the dual identity that her father comes to have for the
young ...
Page 128
( Phoenix 48 ) In contrast to this idyllic world of the mother ' s youth in China , the
next passage is about the father ' s money - obsessed world . With an abrupt
change of imagery , the poem moves from China to America as its focus shifts to
the ...
( Phoenix 48 ) In contrast to this idyllic world of the mother ' s youth in China , the
next passage is about the father ' s money - obsessed world . With an abrupt
change of imagery , the poem moves from China to America as its focus shifts to
the ...
Page 129
Chin turns away from the father ' s perspective to the daughter ' s by replacing his
voice with hers , while continuing to keep the focus of the poem on him . Her
description of the father in terms of " the ox , / without his yoke , / sitting on a ridge
...
Chin turns away from the father ' s perspective to the daughter ' s by replacing his
voice with hers , while continuing to keep the focus of the poem on him . Her
description of the father in terms of " the ox , / without his yoke , / sitting on a ridge
...
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Contents
Asian American Literature in the International Context | 9 |
Race as Process in the Work | 21 |
Celebrating Ourselves in the Other | 37 |
Copyright | |
8 other sections not shown
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American literature appears Asian American associated autobiography becomes begins body called century character child Chin China Chinese American comes contemporary continuity critical cultural describes DICTEE English essay ethnic experience face fact father feel fiction forces frontier funeral give hand identity immigrants includes individual issues Japanese John kind Kingston language Lee's literary lives look Maxine means memory mother move narrative narrator novel offers opening original parents past performance perspective play poem poet poetic poetry political position possible present protagonist question race racial reader references remember sense social space speak story Studies suggests tell things tion traditional understanding United voice West Western Woman women writing Yau's York young