This is the Sound of Irony: Music, Politics and Popular Culture

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Routledge, Mar 3, 2016 - Music - 274 pages
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The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.
 

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Contents

Introduction The Sound of IronyThe Irony of Sound
1
The Irony of Want in California Gold Rush Music
17
Double Audience Double Irony in US Slave Songs and Spirituals
31
Cognitive Linguistics and Pragmatics of Ironic Comprehension
45
AustroGerman Jewish Refugees in Republican China
59
5 Irony Myth and Temporal Organization in the Early Songs of Bob Dylan
73
The Strange Life of Brown Baby
89
Ironic Variations on a Metaphysical Theme
103
10 Irony Intentionality and Environmental Politics in the Music of Cake
145
11 Paul Anka Sings Smells Like Teen Spirit
159
12 Wagner Nazism and Evil in Apt Pupil
173
Literary and Technological Devices in the Rap of TPain
189
14 ListenerSenders Musical Irony and the Most Disliked YouTube Videos
201
15 The Narrowing Gyre of Music Recommendation
215
Bibliography
231
Index
251

Early Hip Hop Culture as Ironic Perception
117
9 Ironic Consciousness in Early Polish Punk Music
131

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About the author (2016)

Katherine L. Turner holds a Ph.D. in Musicology and a doctoral portfolio in Women and Gender Studies from the University of Texas, Austin. Her interest in irony in popular music stems from the mythology surrounding her favorite childhood song, 'Ring Around the Rosie.' Additional research interests include the musical culture and education of early modern women and the music of the Long Civil Rights Era. She is currently working on a monograph of the anti-lynching song 'Strange Fruit.'

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