Nothing if not critical: selected essays on art and artists
The most controversial art critic in America--author of the bestselling The Fatal Shore and The Shock of the New--looks with love and loathing, wit and authority, at art and artists from the past to the present. Hughes evokes and defines the essences, works and worlds of a wide range of artists.
Results 1-3 of 70
Matisse had learned from Manet: that black, far from signifying the absence of
color, can read as a suave and powerful hue. Matisse's work, seen in this
concentration, proves once more that in painting, innovation means nothing
without a vital ...
In future, art would hang onto the spread-out, expansive quality of Pollock's work
while refreshing it with a new intensity of color, inspired by Matisse. At the end of
the purge you would have a clipped but radiant discourse of pure hue, fixed by ...
What his best works offer is a very American sense of Arcadia, a hard-won
paradise of the natural world reconstructed in terms of color. Shape is reduced to
the minimum: some flat silhouettes, relatively little internal texture. Avery was not
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LibraryThing ReviewUser Review - philipjohn - LibraryThing
Robert Hughes must be one of the finest users of language at work in the field of art criticism. His comments, whether you agree with them or not, are always a joy to read. Read full review
Nothing if not critical: selected essays on art and artistsUser Review - Not Available - Book Verdict
This collection brings together over 90 essays, many of which have already appeared in major journals. Hughes considers the Masters, 19th-century art and artists, the Modernist spirit, American and ... Read full review
Other editions - View all
The Theory of Architecture: Concepts Themes & Practices
Limited preview - 1994
Eakins Revealed: The Secret Life of an American Artist
Limited preview - 2005