The Life of Olaudah Equiano

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Martino Fine Books, Nov 22, 2017 - Biography & Autobiography - 186 pages

2017 Reprint of 1814 Edition. Olaudah Equiano was a British citizen and former slave who, in the 1780s, became a leader of the movement to abolish the slave trade. His autobiography, The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, was first published in London in 1789 and went through nine editions in the next five years. It contributed significantly to turning British public opinion against the slave trade. As the title suggests, Equiano was regarded as an authority on the slave trade, in large part, because he wrote that he had been born in Eboe, a province of the kingdom of Benin, in what is now southern Nigeria. He could recall his African childhood and describe the experience of being captured and sold into slavery. It is one of the earliest-known examples of published writing by an African writer to be widely read in England. By 1792, it was a best seller: it has been published in Russia, Germany, Holland, and the United States. It was the first influential slave narrative of what became a large literary genre. But Equiano's experience in slavery was quite different from that of most slaves; he did not participate in field work, he served his owners personally and went to sea, was taught to read and write, and worked in trading. His account surprised many with the quality of its imagery, description, and literary style. In his account, Equiano gives details about his hometown Essaka and the laws and customs of the Eboe people. After being captured as a boy, he described communities he passed through as a captive on his way to the coast. His biography details his voyage on a slave ship, and the brutality of slavery in the colonies of West Indies, Virginia, and Georgia.

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About the author (2017)

One of the most remarkable figures in the history of African literature is Olaudah Equiano, who is also known as Gustavus Vassa. He was born into an Igbo community that he called Essaka, or most probably Isieke, in what is now the Ihiala local government area of the Anambra State of Nigeria. Captured and sold into slavery at the age of 12, he was taken to the West Indies. There he was resold to a British naval officer who helped him acquire an education and some nautical experience. When Equiano was beginning to consider himself a free man, he was unexpectedly sold again to a Philadelphia trader, for whom he undertook business trips to the West Indies. These trips enabled Equiano to make enough money to buy his freedom. As a free man, Equiano continued his vocation as a sailor and traveled extensively in Europe, Africa, and the Americas. He eventually joined the abolitionist movement in Great Britain, where he settled down as a respectable African European, married an English woman, and had two children. Equiano moved in high social circles, wrote and spoke frequently in various public media on abolition issues, and petitioned the British Parliament on the evils of slavery. But by far his most important contribution to the abolition movement was his autobiography, The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa, the African, Written by Himself, which was first published in London in 1789. Not only was The Interesting Narrative an eloquent diatribe against the evils of slavery; its early chapters presented a thoroughly idyllic picture of the culture, social life, and geographical environment of his Igbo home, which he describes as "a charming, fruitful vale." In the autobiography, Equiano refutes the detractions of African peoples in European and oriental literatures, religious dogmas, and philosophical and ethnographic writings. He emerges as the first spokesperson of pan-African nationalism, black consciousness, negritude, and a whole range of other contemporary African and African American intellectual movements. The Narrative is a mixture of factual ethnographic and historical details, debatable assertions, and outright fallacies; it is as mystifying as it is revealing. So powerful is its eighteenth-century rhetorical style that, despite the assertion in its title that it was "written by himself," few of his white contemporaries were convinced that such elegant prose and humane sentiments could be written by an African.

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