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"When the Assault was intended to the City," the two on his blindness, and one on his second wife. The first of these presents Milton in a characteristic and at the same time unexpected light. On the thirteenth of November, 1642, the king's forces had advanced from their victory at Edgehill to Turnham Green, on the outskirts of London. An immediate assault was expected, and Essex hastened out with regular forces and trainbands to the number of 24,000 to engage the enemy. The occasion was one of such imminent danger that Milton's attitude in staying quietly in his study to write a sonnet pleading that his own house be spared from rapine by the cavalier troopers, seems rather chilly and ungenerous, not to say unvirile. The fact is, that he was at once unusually open to the enthusiasm of ideas, and unusually callous to the raw excitement of events. He had by nature much of the wanness of the idealist; it is, indeed, not difficult to believe that a conception of his failing in this respect, and the hope of overcoming it, biased his acceptance of public office when, a few years later, it was offered him. Now, with the brute force of arms drawing near, it was natural for him to retire haughtily into the kingdom of the mind, and especially to that city of the kingdom where his power was most absolute. The curious thing is that this haughtiness is tempered by an unexpected humility. The poet seems to bow his head before the conqueror, and to offer his music as the price of leniency, with a Greek submission to the Fates strangely at variance with his habitual temper.

The first sonnet on his blindness shows submission to fate in a larger sense and in a deeply Christian mood. His blindness had been total for three years, and he had not yet seen his way to using, in darkness, "that one talent which is death to hide." He seemed to have made the last and great sacrifice. The manner in which the human

pining of a strong man after the work denied him to do emerges here into contemplation of the sufficiency of the divine Worker, is so fine as to be beyond the reach of praise. The poet seeins to stand by the battle chariot of God, powerless with wounds, but martial and attentive, while His aides and ensigns bear messages of the strife still waging. The second sonnet on his blindness, addressed to Cyriack Skinner, takes a more everyday view. It is pathetic to see Milton comforting himself in his calamity with the belief that his second pamphlet against Salmasius, with its scurrility, its personal abuse, and its poor logic, was worth the price of his eyes; and the touch of vanity in the opening lines only adds to the pathos. Yet the purely human courage which this second sonnet breathes, its refusal to "bate a jot of heart or hope," its determination to "still bear up and steer right onward," is almost as fine as the more exalted resignation of the first.

The last of Milton's sonnets, that on his dead wife, is the tenderest of all his utterances. He had married Katharine Woodcock on the 12th of November, 1656. Two years later she died in child-birth, and a month later her baby followed her. We know nothing of her or her relations with Milton beyond what the sonnet gives; but that is enough. The fact that he had never seen her face in life gives to this account of his veiled vision of her in sleep a peculiar poignancy; and the closing lines,

"But O! as to embrace me she inclined

I waked, she fled, and day brought back my night,"

are in effect his farewell to the warmer human side of life. Henceforth his heart, too, was to dwell in darkness. The double darkness was given him as a background upon which to trace his vision of heaven and earth and hell in stupendous lines of light.

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LADY! that in the prime of earliest youth Wisely hast shunned the broad way and the green,

And with those few art eminently seen,
That labour up the Hill of Heavenly Truth,
The better part with Mary and with
Ruth

Chosen thou hast, and they that overween,
And at thy growing virtues fret their spleen,
No anger find in thee, but pity and ruth.
Thy care is fixed, and zealously attends
To fill thy odorous Lamp with deeds of
light,

And Hope that reaps not shame; therefore be sure,

Thou, when the Bridegroom with his feastful friends

Passes to bliss at the mid hour of night, Hast gained thy entrance, Virgin wise and pure.

TO THE LADY MARGARET LEY

(1644-5)

DAUGHTER to that good Earl, once President

Of England's Council and her Treasury, Who lived in both unstained with gold

or fee,

And left them both, more in himself con

tent,

Till the sad breaking of that Parliament
Broke him, as that dishonest victory
At Chæronea, fatal to liberty,

Killed with report that old man eloquent, Though later born than to have known the days

Wherein your father flourished, yet by

you,

Madam, methinks I see him living yet: So well your words his noble virtues praise That all both judge you to relate them

true

And to possess them, honoured Margaret.

ON THE DETRACTION WHICH FOLLOWED UPON MY WRITING CERTAIN TREATISES

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Dare ye for this adjure the civil sword To force our consciences that Christ set free,

And ride us with a Classic Hierarchy, Taught ye by mere A. S. and Rutherford?

Men whose life, learning, faith, and pure intent,

Would have been held in high esteem with Paul

Must now be named and printed heretics By shallow Edwards and Scotch Whatd' ye-call!

But we do hope to find out all your tricks,

Your plots and packing, worse than those of Trent,

That so the Parliament May with their wholesome and preventive shears

Clip your phylacteries, though baulk your ears,

And succour our just fears, When they shall read this clearly in your

charge:

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TO SIR HENRY VANE THE YOUNGER

(1652)

VANE, young in years, but in sage counsel old,

Than whom a better senator ne'er held The helm of Rome, when gowns, not arms, repelled

The fierce Epirot and the African bold, Whether to settle peace, or to unfold The drift of hollow states hard to be spelled;

Then to advise how war may best, upheld,

Move by her two main nerves, iron and gold,

In all her equipage; besides, to know Both spiritual power and civil, what each means,

What severs each, thou hast learned, which few have done.

The bounds of either sword to thee we

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LAWRENCE, of virtuous father virtuous son, Now that the fields are dank, and ways are mire,

Where shall we sometimes meet, and by the fire

Help waste a sullen day, what may be

won

From the hard season gaining? Time will

run

On smoother, till Favonius reinspire
The frozen earth, and clothe in fresh at

tire

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