The English Novel: A Short Critical History |
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Page 255
But it is not by accident that this seriousness of intent came into our fiction
consciously with George Eliot and Meredith. In education and interests both were
out of the common run of English novelists. George Eliot was thirty-eight when
she ...
But it is not by accident that this seriousness of intent came into our fiction
consciously with George Eliot and Meredith. In education and interests both were
out of the common run of English novelists. George Eliot was thirty-eight when
she ...
Page 264
It does, and it does so because George Eliot herself is deluded by him. She does
not, in other words, recognize that she has created a young man of vulgar
pretentiousness. If this was a sign of immaturity on her part, in the novel it can
only ...
It does, and it does so because George Eliot herself is deluded by him. She does
not, in other words, recognize that she has created a young man of vulgar
pretentiousness. If this was a sign of immaturity on her part, in the novel it can
only ...
Page 269
She is the largest character and the one nearest to the heroic. The wonder is that
we do not think George Eliot's claims for her are inordinate. For in Middlemarch
George Eliot is investigating human aspirations, in particular the aspirations to ...
She is the largest character and the one nearest to the heroic. The wonder is that
we do not think George Eliot's claims for her are inordinate. For in Middlemarch
George Eliot is investigating human aspirations, in particular the aspirations to ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |