The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 213
... called me impudent , and a liar , and a mischief- maker , and yo ' might ha ' said wi ' some truth , as I were now and then given to drink . An ' I ha ' called you a tyrant , an ' an oud bull - dog , and a hard , cruel master ; that's ...
... called me impudent , and a liar , and a mischief- maker , and yo ' might ha ' said wi ' some truth , as I were now and then given to drink . An ' I ha ' called you a tyrant , an ' an oud bull - dog , and a hard , cruel master ; that's ...
Page 290
... called his " prig heroes , " a man conscious all the time of what Hardy himself called " the ache of modernism . " In a sense , he represents Hardy's own values : In Clym Yeobright's face could be dimly seen the typical countenance of ...
... called his " prig heroes , " a man conscious all the time of what Hardy himself called " the ache of modernism . " In a sense , he represents Hardy's own values : In Clym Yeobright's face could be dimly seen the typical countenance of ...
Page 327
... called a " fine central intelli- gence , " Maisie's in What Maisie Knew , Strether's in The Ambassadors . As R. P. Blackmur has written in his intro- duction to his edition of James's prefaces called The Art of the Novel : • The novel ...
... called a " fine central intelli- gence , " Maisie's in What Maisie Knew , Strether's in The Ambassadors . As R. P. Blackmur has written in his intro- duction to his edition of James's prefaces called The Art of the Novel : • The novel ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontë called century characters Charlotte Brontë Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontë England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young