The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 416
... consciousness . There is , obviously , an immense gain in intimacy and immediacy . We know Bloom and Dorothy Richardson's Miriam in a way we know no characters in fiction before them . Whether we know them more truly than we do ...
... consciousness . There is , obviously , an immense gain in intimacy and immediacy . We know Bloom and Dorothy Richardson's Miriam in a way we know no characters in fiction before them . Whether we know them more truly than we do ...
Page 428
... consciousness method most thoroughly in his treatment of Marion Bloom . She enters the novel as a character in her own right only at the end ; her thoughts , poured out pell - mell , form its tremendous climax . She is in bed at night ...
... consciousness method most thoroughly in his treatment of Marion Bloom . She enters the novel as a character in her own right only at the end ; her thoughts , poured out pell - mell , form its tremendous climax . She is in bed at night ...
Page 449
... consciousness tech- nique , 412-432 See also : Naturalism ; Political novel ; Regional novel ; Stream of consciousness technique ; Women , portrayal of Novel , novelists ' and critics ' atti- tude to : Arnold Bennett , 374-377 Elizabeth ...
... consciousness tech- nique , 412-432 See also : Naturalism ; Political novel ; Regional novel ; Stream of consciousness technique ; Women , portrayal of Novel , novelists ' and critics ' atti- tude to : Arnold Bennett , 374-377 Elizabeth ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontė called century characters Charlotte Brontė Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontė England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young