The English Novel: A Short Critical History |
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Page 7
Yet the effect of the Elizabethan drama, and of Shakespeare above all, on the
novel in England can scarcely be overestimated. It was immeasurably greater
than that of the fiction of the period. To read the great Elizabethan plays as novels
is ...
Yet the effect of the Elizabethan drama, and of Shakespeare above all, on the
novel in England can scarcely be overestimated. It was immeasurably greater
than that of the fiction of the period. To read the great Elizabethan plays as novels
is ...
Page 29
They show how generally applicable were the methods of producing the effect of
reality he had devised in that book. Of his other fictions the two most outstanding
now are A Journal of the Plague Year, perhaps the most convincing recreation ...
They show how generally applicable were the methods of producing the effect of
reality he had devised in that book. Of his other fictions the two most outstanding
now are A Journal of the Plague Year, perhaps the most convincing recreation ...
Page 306
He is saying, in effect, much what Wyndham Lewis has said in The Writer and the
Absolute: . . . there is in all those arts which parallel nature something like a law
obliging the artist to a fanatical scrupulosity, as it were a physical incapacity to ...
He is saying, in effect, much what Wyndham Lewis has said in The Writer and the
Absolute: . . . there is in all those arts which parallel nature something like a law
obliging the artist to a fanatical scrupulosity, as it were a physical incapacity to ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young