The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 50
But we feel , of Mrs. Towwouse , Parson Trulliber ( the finest of them all , after " Adams himself ) , Mrs. Slipslop , and the rest , that they would be capable of surprising us if they were given the opportunity .
But we feel , of Mrs. Towwouse , Parson Trulliber ( the finest of them all , after " Adams himself ) , Mrs. Slipslop , and the rest , that they would be capable of surprising us if they were given the opportunity .
Page 101
But even then the background of scenery exists to feed Emily's sensibility ; it is material for her feeling . ... From this point of view , The Mysteries of Udolpho may be considered as a machine for making the reader feel similar ...
But even then the background of scenery exists to feed Emily's sensibility ; it is material for her feeling . ... From this point of view , The Mysteries of Udolpho may be considered as a machine for making the reader feel similar ...
Page 259
everyone in the novel who meets her feels it , and so does the reader . ... She could not , one feels , forgive sexual passion . ... for goodness conscious of itself is surely the most treacherous quality a human being can feel ...
everyone in the novel who meets her feels it , and so does the reader . ... She could not , one feels , forgive sexual passion . ... for goodness conscious of itself is surely the most treacherous quality a human being can feel ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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