The English Novel: A Short Critical History |
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Page 63
Characters in Smollett j have become grotesque objects and, deprived of their
human appearances, turned into animals or insects, they are deprived of their
humanity. They are things to be kicked about, the sport of any crude horseplay,
the ...
Characters in Smollett j have become grotesque objects and, deprived of their
human appearances, turned into animals or insects, they are deprived of their
humanity. They are things to be kicked about, the sport of any crude horseplay,
the ...
Page 289
verse morals were beside the point; between the forces of \ nature, including
therein the forces of his own nature, an3~man's aspirations there could be no
reconciliation; they were eternally opposed, and from the human view the
workings of ...
verse morals were beside the point; between the forces of \ nature, including
therein the forces of his own nature, an3~man's aspirations there could be no
reconciliation; they were eternally opposed, and from the human view the
workings of ...
Page 392
has generally been the end he has proposed for himself. These are his first
novels, Liza of Lambeth (1897), Of Human Bondage (1915), and Cakes and Ale (
1930). With the early work of Moore, Liza of Lambeth is the completest specimen
of ...
has generally been the end he has proposed for himself. These are his first
novels, Liza of Lambeth (1897), Of Human Bondage (1915), and Cakes and Ale (
1930). With the early work of Moore, Liza of Lambeth is the completest specimen
of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |