The English Novel: A Short Critical HistoryA brilliant, critical history of the novel from Bunyan to Lawrence and Joyce. |
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Page 289
... nature , including therein the forces of his own nature , and man's aspirations there could be no reconciliation ; they were eternally opposed , and from the human view the workings of nature must appear hostile and malign . What Hardy ...
... nature , including therein the forces of his own nature , and man's aspirations there could be no reconciliation ; they were eternally opposed , and from the human view the workings of nature must appear hostile and malign . What Hardy ...
Page 296
... nature of things but because Hardy wishes it to be so . It is the one turn of the screw too many . But these failures in the management of his plots matter less in Hardy than they would in any other novelist ; they are botches , but ...
... nature of things but because Hardy wishes it to be so . It is the one turn of the screw too many . But these failures in the management of his plots matter less in Hardy than they would in any other novelist ; they are botches , but ...
Page 362
... nature of Conrad's genius as a novelist . He is not great simply because he pulled off a remarkable feat , and though he is a novelist of the sea and of exotic places , he is much more . His life at sea provided him with a store of ...
... nature of Conrad's genius as a novelist . He is not great simply because he pulled off a remarkable feat , and though he is a novelist of the sea and of exotic places , he is much more . His life at sea provided him with a store of ...
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
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achievement acters action Adam Bede appear artist become behavior Bennett Brontė called century characters Charlotte Brontė Clayhanger comedy comic Conrad consciousness contemporary criticism D. H. Lawrence described Dickens dramatic E. M. Forster eighteenth-century Elizabethan Emily Brontė England English novel English novelists exist expression fact father feel fiction Fielding Fielding's figure Forster George Eliot Gissing Hardy Hardy's hero heroine human humor imagination instance intellectual James James's Jane Austen Jane Eyre Joyce Jude kind Lady later Lawrence less literary lives London Meredith mind Miss Austen moral nature never novelist Oroonoko passion perhaps plot poetry Princess Casamassima prose reader reality Richardson romantic satire scarcely scene Scott seems sense Smollett social society Sons and Lovers story successful symbol Thackeray things tion Tom Jones tragic Trollope Victorian Virginia Woolf whole woman women words writing written wrote Wuthering Heights young