The English Novel: A Short Critical History |
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Page 37
Much more lively and affecting must be the style of those who write in the height
of a present a distress; the mind tortured by the pangs of uncertainty (the events
then hidden in the womb of fate); than the dry, narrative, unanimated style of a ...
Much more lively and affecting must be the style of those who write in the height
of a present a distress; the mind tortured by the pangs of uncertainty (the events
then hidden in the womb of fate); than the dry, narrative, unanimated style of a ...
Page 156
When the reaction against the age set in, among intellectuals in the nineties,
among the general public in the first twenty years of the present century, the
Victorians were commonly charged with smugness, complacency, hypocrisy, and
foolish ...
When the reaction against the age set in, among intellectuals in the nineties,
among the general public in the first twenty years of the present century, the
Victorians were commonly charged with smugness, complacency, hypocrisy, and
foolish ...
Page 276
His prose, besides, is as far removed as it can be from our present ideas of what
constitutes good style. At its worst, it is rebarbatively Teutonic and vulgar, and at
its best, except when it fuses into poetry, it is too brilliant, fatiguing because of ...
His prose, besides, is as far removed as it can be from our present ideas of what
constitutes good style. At its worst, it is rebarbatively Teutonic and vulgar, and at
its best, except when it fuses into poetry, it is too brilliant, fatiguing because of ...
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User Review - stillatim - LibraryThingRemember when literary critics read books and wrote about them? No? Well, I do now. He got a few things wrong - what did these people ever see in H.G. Wells? In Meredith? That they should be put next ... Read full review
Contents
THE BEGINNINGS | 3 |
THE EIGHTEENTH CENTURY | 31 |
THE FIRST GENERA | 107 |
Copyright | |
4 other sections not shown
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Common terms and phrases
accepted achievement action appear attempt Austen become better called century characters comedy comes comic completely consciousness course criticism death described Dickens early effect Elizabethan England English exist experience expression eyes fact father feel fiction Fielding figure George George Eliot gives greater Hardy heart hero human imagination important influence instance interest James Jane kind Lady later least less literary lives London look matter means mind Miss moral nature never novel novelist perhaps person plot political possible present prose reader reality relation represents respect satire scarcely scene Scott seems seen sense side situation social society story successful symbol things thought tion true turned Victorian whole woman women writing written wrote young
Bibliographic information
| Title | The English Novel: A Short Critical History |
| Author | Walter Ernest Allen |
| Edition | reprint |
| Publisher | Dutton, 1955 |
| Length | 454 pages |
| Export Citation | BiBTeX EndNote RefMan |