Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 12Gale Research Company, 1984 |
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Page 13
... fact he was never in better voice . However , after him went Messrs . Raymond and Arnold , one bearing negus and the other oranges ; and believe me , " my pensive public , " the fact of those great functionaries having done this proves ...
... fact he was never in better voice . However , after him went Messrs . Raymond and Arnold , one bearing negus and the other oranges ; and believe me , " my pensive public , " the fact of those great functionaries having done this proves ...
Page 92
... fact that they are box office and one is lucky to have them in the production . On the other hand , some of them are tremendously open to you . I did a lot of horsetrad- ing with Olivier in The Merchant of Venice , and he did the things ...
... fact that they are box office and one is lucky to have them in the production . On the other hand , some of them are tremendously open to you . I did a lot of horsetrad- ing with Olivier in The Merchant of Venice , and he did the things ...
Page 400
... fact that they're in the presence of an art form . They're only in the presence of naked communication . You have to give them the sense that when they hear those sentiments and feelings and ideas expressed in Shakespeare's language ...
... fact that they're in the presence of an art form . They're only in the presence of naked communication . You have to give them the sense that when they hear those sentiments and feelings and ideas expressed in Shakespeare's language ...
Contents
The Merchant of Venice | 1 |
A Midsummer Nights Dream | 141 |
The Taming of the Shrew | 306 |
Copyright | |
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acting actors Ada Rehan admirable Antonio appeared audience Barker Bassanio beautiful Belmont Bottom Brook casket cast character Christopher Sly clowns comedy comic costumes court critic curtain Daly Daly's dance delight director dramatic dress duction effect Elizabethan Ellen Terry essay date excerpt fairies feeling film Garrick give Gratiano Helena Henry Henry Irving Hermia Hippolyta interpretation Irving Irving's Jessica John Kate Katharina Kean Kean's light lines London look lovers Lysander Macklin magic mance Merchant of Venice Midsummer Night's Dream Miss Nerissa never Oberon Olivier performance Peter Peter Brook Petruchio Phelps play's players Poel poetry Portia present production Puck Pyramus and Thisbe Rehan Reinhardt review date revival role Royal Shakespeare Company scenery seems Shake Shakespeare's plays Shrew Shylock song speech spirit stage Stratford Taming Theatre theatrical Theseus thing tion Titania trial scene verse Vestris Victorian whole William words York Zeffirelli