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action actor admirable appeared audience beauty become better called character circumstances comedy comic common Covent-Garden criticism delight effect English equal Examiner excellence expression face feeling force genius give given grace hand head heart hope human humour idea imagination instance interest Kean Kean's Kemble kind Lady laugh least leave less lively look Managers manner matter means mind Miss moral nature never night object Opera original Othello passage passion perfect performance perhaps person piece play pleasure poet present produced reason respect Richard scene seems seen sense sentiment Shakespear singing situation song speak spirit stage story style success supposed taste Theatre thing thought tone tragedy turn voice whole wish write young
Page 210 - O, here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world-wearied flesh.
Page 207 - I have liv'd long enough : my way of life Is fallen into the sear, the yellow leaf : And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses not loud, but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Page 55 - Why so pale and wan, fond lover? Prithee, why so pale? Will, when looking well can't move her, Looking ill prevail? Prithee, why so pale?
Page 24 - The hedge-sparrow fed the cuckoo so long, That it had its head bit off by its young.
Page 450 - Methinks I should know you and know this man; yet I am doubtful: for I am mainly ignorant what place this is, and all the skill I have remembers not these garments; nor I know not where I did lodge last night.
Page 449 - Tom? whom the foul fiend hath led through fire and through flame, through ford and whirlpool, o'er bog and quagmire; that hath laid knives under his pillow, and halters in his pew...
Page 26 - ... sometimes it is couched in a bold scheme of speech ; in a tart irony ; in a lusty hyperbole ; in a startling metaphor ; in a plausible reconciling of contradictions, or in acute nonsense : sometimes a scenical representation of persons or things, a counterfeit speech, a...
Page 471 - Man, proud man, Drest in a little brief authority, Plays such fantastic tricks before high Heaven As make the angels weep.
Page 276 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides...