English Composition and Rhetoric, Volume 21892 |
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Page 4
... further pleasure , equally funda- mental and inexplicable . Each musical piece contains some melodious sequence of notes , which is characteristic of the piece , and which is not less difficult to account for . There may , however , be ...
... further pleasure , equally funda- mental and inexplicable . Each musical piece contains some melodious sequence of notes , which is characteristic of the piece , and which is not less difficult to account for . There may , however , be ...
Page 5
... further extended by personifying the inanimate world . * 7. The Emotion of FEAR has a place in the creations of literature , although on grounds peculiar to itself . * Although written with comic intention , the following lines from ...
... further extended by personifying the inanimate world . * 7. The Emotion of FEAR has a place in the creations of literature , although on grounds peculiar to itself . * Although written with comic intention , the following lines from ...
Page 8
... further , when the mind is overwhelmed by a multitude of uncon- nected details , the introduction of a plan that imparts unity is felt as a joyful relief . ( See , afterwards , HARMONY . ) 11. Allied with our Activity in the pursuit of ...
... further , when the mind is overwhelmed by a multitude of uncon- nected details , the introduction of a plan that imparts unity is felt as a joyful relief . ( See , afterwards , HARMONY . ) 11. Allied with our Activity in the pursuit of ...
Page 17
... Further ex- emplification will occur naturally in the detail of the Qualities . 2. It is important , in view of all the qualities , to note the superiority of Objective thought and phraseo- logy . The contrast of Subjective and ...
... Further ex- emplification will occur naturally in the detail of the Qualities . 2. It is important , in view of all the qualities , to note the superiority of Objective thought and phraseo- logy . The contrast of Subjective and ...
Page 26
... further to the test , we have to distinguish between the two modes or degrees of Personification . I. The ascription of feelings and will , together with distinction of gender . This is seen at its highest pitch in Hebrew poetry . For ...
... further to the test , we have to distinguish between the two modes or degrees of Personification . I. The ascription of feelings and will , together with distinction of gender . This is seen at its highest pitch in Hebrew poetry . For ...
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Common terms and phrases
agreeable Anacreon artistic beauty Beneficent Strength character charm circumstances combination comparison connexion contrast delight delineation depicted diction divine embodiment employed energy epithets erotic Eurydice example exemplified expression eyes figure force genius give grandeur harmony heaven highest Homer human hyperbolical ideal Iliad illustrated impression intellectual intensity interest INTERESTING AND UNINTERESTING Julius Cæsar kind language lines literary lofty lover Maleficent Strength Malevolence malignant mankind Matthew Arnold Menelaus ment Milton mind modes moral mountain nature ness Neutral Strength night objects ocean Ode to Duty pain Paradise Lost parental feeling passage passion Pathos Patroclus personification physical picture pleasure plot poem poet poet's poetic poetic diction poetry pure redeeming reference regard Sappho scene sexes Shakespeare stanza stars sublime suggestion superiority sweet sympathy Tamburlaine Tender Feeling Tennyson's thee theme Theocritus things thou thought tion touches treatment vast vocabulary winds words Wordsworth