English Composition and Rhetoric, Volume 21892 |
From inside the book
Results 1-5 of 89
Page v
... human feelings , the impossibility of stating their amount with preciseness , and of analyzing their composition in a convincing manner . These difficulties are equally felt by the methodical rhetorician , and by the unmethodical critic ...
... human feelings , the impossibility of stating their amount with preciseness , and of analyzing their composition in a convincing manner . These difficulties are equally felt by the methodical rhetorician , and by the unmethodical critic ...
Page viii
... human corruption , there is a tendency to deny its existence when it is expressed in unfamiliar phraseology . Nevertheless , I have done my utmost to deal fairly with the facts as I find them . In order to develop the literary bearings ...
... human corruption , there is a tendency to deny its existence when it is expressed in unfamiliar phraseology . Nevertheless , I have done my utmost to deal fairly with the facts as I find them . In order to develop the literary bearings ...
Page ix
... as manifesta- tions of human feeling , have a character and a law to themselves , and have been represented in the poetry of all ages . Again , UTILITY can hardly be divorced from the special emotions , but , as a collective.
... as manifesta- tions of human feeling , have a character and a law to themselves , and have been represented in the poetry of all ages . Again , UTILITY can hardly be divorced from the special emotions , but , as a collective.
Page xvii
... human mind are characterized by Pleasure , Pain or Neutrality , ... ... 2. Pleasures and Pains divided under Sensations and Emotions . The artistic senses are Sight and Hearing , 3. Objects of Sight enter into Poetry by verbal ...
... human mind are characterized by Pleasure , Pain or Neutrality , ... ... 2. Pleasures and Pains divided under Sensations and Emotions . The artistic senses are Sight and Hearing , 3. Objects of Sight enter into Poetry by verbal ...
Page xviii
... human might , 5. Fourth - succession to a climax , ... ... ... ib . 21 22328 25 26 ... ib . 2225 27 29 6. Two degrees of Personification . I. Ascription of feelings , will and distinction of gender , 7. Personifying of Abstractions ...
... human might , 5. Fourth - succession to a climax , ... ... ... ib . 21 22328 25 26 ... ib . 2225 27 29 6. Two degrees of Personification . I. Ascription of feelings , will and distinction of gender , 7. Personifying of Abstractions ...
Contents
137 | |
145 | |
157 | |
161 | |
163 | |
169 | |
183 | |
188 | |
30 | |
43 | |
50 | |
51 | |
55 | |
61 | |
71 | |
73 | |
77 | |
85 | |
91 | |
97 | |
104 | |
105 | |
119 | |
127 | |
130 | |
208 | |
217 | |
223 | |
227 | |
233 | |
239 | |
245 | |
251 | |
270 | |
277 | |
288 | |
295 | |
302 | |
309 | |
317 | |
324 | |
Other editions - View all
Common terms and phrases
agreeable Anacreon artistic beauty Beneficent Strength character charm circumstances combination comparison connexion contrast delight delineation depicted diction divine embodiment employed energy epithets erotic Eurydice example exemplified expression eyes figure force genius give grandeur harmony heaven highest Homer human hyperbolical ideal Iliad illustrated impression intellectual intensity interest INTERESTING AND UNINTERESTING Julius Cæsar kind language lines literary lofty lover Maleficent Strength Malevolence malignant mankind Matthew Arnold Menelaus ment Milton mind modes moral mountain nature ness Neutral Strength night objects ocean Ode to Duty pain Paradise Lost parental feeling passage passion Pathos Patroclus personification physical picture pleasure plot poem poet poet's poetic poetic diction poetry pure redeeming reference regard Sappho scene sexes Shakespeare stanza stars sublime suggestion superiority sweet sympathy Tamburlaine Tender Feeling Tennyson's thee theme Theocritus things thou thought tion touches treatment vast vocabulary winds words Wordsworth