Israel Studies in Musicology, Volume 3Israel Musicological Society by the Jewish Music Research Centre of the Hebrew University of Jerusalem, 1983 - Music |
Contents
Music History and Cultural History | 7 |
On Cultural and Stylistic Synthesis | 24 |
The Theologia Crucis and the Performance of the Early Liturgical | 38 |
Copyright | |
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Common terms and phrases
16th century aesthetic ambitus analogies analysis appears articulation artistic babbler ballads Bar-Ilan University Baroque bars basic Beethoven beginning bird Bird Song bird-song call-notes calm Cancionero musical canciones Cesar Bresgen changes chords Coclico composers composition concept context Contratenor convex curve cultural Curt Sachs duration English summary essay evidence example excited calls explain exposition factors frequency fugue Furtwängler genre German harmony Hebrew summary Hebrew University Hindemith historian Hitler Youth Ibid ideas imitation isorhythmic Jewish Kirkendale medieval melodic Melograph minor movement music and rhetoric music history Music Theory musical style musicians Musicology Musik nature Nazi non-concurrence Palestrina counterpoint passion patterns peak performance Pfitzner Ph.D phrases Piano Sonata pitch polyphonic problem quarter note ratio Reich relationships renaissance renaissance music rhythmic ricercar scale Schenker Schünemann situation sketchbook sketches Song speech structure stylistic superius syllables Tel-Aviv University theme theoretical theorists tion tonality tradition treatises triads villancico York