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Page 128
... Fangface " does not send a single , simple message ; rather , there are many ambigu- ous and contradictory messages . Fangface , for example , is presented as a force for good , but he is also a werewolf and therefore associated with ...
... Fangface " does not send a single , simple message ; rather , there are many ambigu- ous and contradictory messages . Fangface , for example , is presented as a force for good , but he is also a werewolf and therefore associated with ...
Page 129
... Fangface " was a cartoon and the story , pure fantasy . INTERVIEWER : Er , how do we know that that was a cartoon ? ADRIAN : Oh , you can tell by the . . . picture and . . . CRAIG : Pictures . CHRISTIE : It's colored in . Not like real ...
... Fangface " was a cartoon and the story , pure fantasy . INTERVIEWER : Er , how do we know that that was a cartoon ? ADRIAN : Oh , you can tell by the . . . picture and . . . CRAIG : Pictures . CHRISTIE : It's colored in . Not like real ...
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action adolescence adulthood adults American Amish analysis argued basic become behavior believe capitalist Chapter child cities conflict corporate crime corporations crime culture define depends develop deviance divorce dominant Durkheim economic effects Émile Durkheim ethnic example experience factors Fangface functional gender gender roles gentrification George Herbert Mead Hispanics human important income increase individual industrial instance interac interview involved labor live macrosociology maître d major male marriage Marx means ment modern nations norms organization parents patterns percent person perspective Piggly Wiggly play political population problems production questions racial relations relationships response result role shared social class social interaction social loafing social structure society sociological sociologists speech code status suicide symbols television tend theory tion traditional United urban values variables Weber women workers