Motherhood and Representation: The Mother in Popular Culture and MelodramaFrom novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as EMEast Lynne, Marnie and the EMT. |
From inside the book
Results 1-3 of 15
Page 132
... upper class . The film is split between a conservative , male - identified address in the upper - class story that is the main plot , and a female - identified and more radical address in the sub - plot concerning a working - class ...
... upper class . The film is split between a conservative , male - identified address in the upper - class story that is the main plot , and a female - identified and more radical address in the sub - plot concerning a working - class ...
Page 133
... upper - class plot in Weber's Where Are My Children ? Here the husband's right to demand and have children is clearly established . Upper - class women , the film argues , owe it to their husbands to provide healthy children . The film ...
... upper - class plot in Weber's Where Are My Children ? Here the husband's right to demand and have children is clearly established . Upper - class women , the film argues , owe it to their husbands to provide healthy children . The film ...
Page 171
... upper - class life offers . She also knows that Laurel loves Helen and Stephen , as well as the upper - class young man destined to be her husband . But two other matters enter in : first , given the way that the film represents the working ...
... upper - class life offers . She also knows that Laurel loves Helen and Stephen , as well as the upper - class young man destined to be her husband . But two other matters enter in : first , given the way that the film represents the working ...
Contents
INTRODUCTION | 3 |
THE PSYCHOANALYTIC SPHERE | 27 |
Motherhood and fictional representation | 57 |
Copyright | |
6 other sections not shown
Other editions - View all
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Limited preview - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan Limited preview - 2013 |
Motherhood and Representation: The Mother in Popular Culture and Melodrama E. Ann Kaplan No preview available - 1992 |
Common terms and phrases
American argue articulated baby Barbara body Carlyle century Chapter child Chodorow Christopher Strong codes complicit concept constructed context culture Cynthia daughter Delilah desire developed discussed dominant East Lynne East Lynne film erotic explore fantasies father feminine feminism feminist fiction figure film versions film's focus foetus Freud Freudian gaze gender genre Harriet heroine historical Hollywood husband ideal identification ideology images Imaginary Irigaray Isabel Kristeva Lacanian Levison linked Lois Weber look male Marnie maternal melodrama maternal sacrifice middle-class mother-child mother-daughter mother-figure Mother's Day motherhood discourses narrative nineteenth-century North America notes novel nuclear family nurturing Oankali Oedipal patriarchal Peola phallic phallus play popular position postmodern pre-Oedipal produced psychic psychoanalytic theory relation relationship representations represents reproductive technologies resisting role Rousseau scene sexual social specific sphere Stella Dallas Symbolic terrain Uncle Tom's Cabin unconscious upper-class Voyager Weber woman women York