Bernard Shaw and the Art of Drama

abstractions action aesthetic allegory Androcles Archibald Henderson artistic assertion become Bluntschli C. E. M. Joad Caesar and Cleopatra Candida character Christian comedy comic Complete Plays complex consciousness context critics devil dialectic didacticism divine Don Juan dramatic dream effect Egyptian elements Eliza emotional fact Ferrovius Force genius George Bernard Shaw Heartbreak House heaven Hector hell Henderson Hesione Higgins human humor iconoclasm ideal illusion instincts ironic irony Joan's Kronenberger London Louis Kronenberger Major Barbara Mangan Marchbanks Marchbanks's ment modern moral Morell Morell's mundane myth nature patterns philosophy play's poetic Pothinus preface prosaic Pygmalion qualities Raina realistic reality reflects religion religious remarks reveals rhetoric role romantic Rufio Saint Joan scene sense sensitive Sergius Shavian Shaw Review Shaw the Dramatist Shotover social society soul spiritual Superman symbolic Tanner Theatre theme tion tragedy transcends Undershaft vision vital Vivie Warren Warren's Profession woman York