Television: Critical Concepts in Media and Cultural Studies, Volume 2Toby Miller |
Contents
General theory | 3 |
the timid giant | 20 |
The technology and the society | 42 |
Creativity in television | 58 |
critical television studies | 73 |
Feminist theory and television studies | 83 |
A model of teleported texts with reference to Aboriginal | 102 |
the violence profile | 124 |
women on screen | 201 |
Televisions world of work in the nineties | 221 |
Representing gay men on American television | 272 |
boredom and the residual power | 322 |
Ramadan television serials | 338 |
Being a part of the family? Genre gender and production | 360 |
replay and display | 376 |
Whose lives count? TV coverage of natural disasters | 153 |
Common terms and phrases
Aboriginal advertising American analysis audience auteur theory behavior British Film Institute broadcasting camera Charlotte Brunsdon cinema commercial communication complex coverage creative critical cultural Damascene Days Damascus directors discourse drama effects Ellen episode example experience female characters feminism feminist TV Studies film Frank's Place function Furnham gays and lesbians gender genre Hashida hermeneutic homosexuality ideological industrial involved kind lesbian major male characters marital status married mass mass media meaning medium movie narrative patterns political portrayal portrayed Press prime-time production programs question radio Ramadan relationship Resko role scenes semiotic serial sexuality significant Signorielli sitcom situation comedy soap opera social society specific sport stereotyping story structure subcode technical telegraphy television television's theory tion traditional TV image videos viewers viewing violence visual Warlpiri Wataoni women writers