anticipate or dream, and the spectator's interest was intensified at seeing in her and before her what she herself did not perceive. That art can give such power of suggestion to its creations is a marvel and a delight.

Following these two works and at some distance, although near enough to confirm and even increase the painter's fame - came the Priscilla, Evening; Lorette, Nydia, Boy and Bird, Hannah, Psyche, and others, ending this year with the Arethusa,

lowed, a work full of fire and freedom, strongly personal in suggestion, and marked by a wild and impatient individuality which revealed in the girl the impression of a lawless ancestry, that somehow and somewhere had felt the action of a finer strain of blood. The next year Fuller reached the highest point of his inspiration and power in The Quadroon, a work which is likely to be held for all time as his masterpiece, so far as strength of idea, importance of motive, and vivid force of description are concerned. Without whose glowing and chastened loveviolence, even without expression of action, but simply by a pair of haunting eyes, a beautiful, despairing face, and a form confessing utter weariness and abandonment of hope, he revealed all the national shame of slavery, and its degradation of body and soul. Every American cannot but blush to look upon it, so simple and dignified is its rebuke of the nation's long perversity and guilt. The artist's next important effort was the famous Winifred Dysart, as far removed in purpose from The Quadroon as it could well be, yet akin to it by its added testimony to the painter's constant sympathy with weak and beseeching things, and worthy to stand at an equal height with the picture of the slave by virtue of its beauty of conception, loveliness of character, and pathetic appeal to the interest. It was in all respects as typical and comprehensive as The Quadroon itself, holding within its face and figure all the sweetness and innocence of New England girlhood, yet with the shadow of an uncongenial experience brooding over it, and perhaps of inherited weakness and early death. And the wonder of it all was that the girl had no sign about herself of longing or discontent; she was not of a nature to

liness makes it his strongest purely artistic work, and confirms the technical value of his method as completely as The Quadroon and Winifred Dysart do his habit of thought. He painted innumerable landscapes, portraits, and ideal heads, and in figure compositions produced, among others, two works of great and permanent value, the And She Was a Witch, and The Gatherer of Simples, to whose absorbing interest all who have studied them closely will confess. The latter, particularly, is of importance as showing how carefully Fuller studied into the secret of expression, and of nature's sympathy with human moods. This poor, worn, sad, old face, in which beauty and hope shone once, and where resignation and memory now dwell; this trembling figure, to whose decrepitude the bending staff confesses as she totters down the hill; the gathering gloom of the sky, in which one ray of promise for a bright to-morrow shines from the setting sun; the mute witnessing of the trees upon the hill, which have seen her pass and repass from joyful youth to lonely age, and even her eager grasp upon the poor treasure of herbs that she bears, all these items of the scene impress

settlers of the Connecticut River valley. He inherited a taste for art, as an uncle and several other relatives of the previous generation were painters, although none of them attained any particular reputation. He began painting by himself at the age of about sixteen years, and at the age of twenty entered the studio of Henry K. Brown, of Albany, New York, where he received his first and only direct instruction. His work, until the age of about forty years, was almost entirely devoted to portraits; but he is best known, and will be longest remembered, for his ideal work in figure and

landscape painting, which he entered upon about 1860, but did not make his distinctive field until 1876. From the latter date, to the time of his death, he painted many important works, and was pecuniarily successful. He received probably the largest prices ever paid to an American artist for single figures: $3,000 for the Winifred Dysart, and $4,000 each for the Priscilla and Evening; Lorette. He died in Boston on the twenty-first of March, 1884, leaving a widow, four sons, and a daughter. During May, a memorial exhibition of his works was held at the Museum of Fine Arts. EDITOR.]

THE LOYALISTS OF LANCASTER.
BY HENRY S. NOURSE.

and bigoted partisans. The logic of
success, though a success made pos-
sible at last only by exterior aid,
justified the appeal to arms begun in
Massachusetts before revolt was pre-
pared or thought imminent elsewhere.
Now, to the careful student of the
situation, it seems among the most
premature and rash of all the rebellions
in history. But for the precipitancy of
the uprising, and the patriotic frenzy
that fired the public heart at news of
the first bloodshed, many ripe scholars,
many soldiers of experience, might have
been saved to aid and honor the
republic, instead of being driven into
ignominious exile by fear of mob vio-
lence and imprisonment, and scourged
through the century as enemies of their
country. In and about Lancaster,
then the largest town in Worcester
County, the royalist party was an
eminently respectable minority. At

THE outburst of patriotic rebellion in 1775 throughout Massachusetts was so universal, and the controversy so hot with the wrath of a people politically wronged, as well as embittered by the hereditary rage of puritanism against prelacy, that the term tory comes down to us in history loaded with a weight of opprobrium not legitimately its own. After the lapse of a hundred years the word is perhaps no longer synonymous with everything traitorous and vile, but when it is desirable to suggest possible respectability and moral rectitude in any member of the conservative party of Revolutionary days, it must be done under the less historically disgraced title, - loyalist. In fact, then, as always, two parties stood contending for principles to which honest convictions made adherents. If among the conservatives were timid office-holders and corrupt self-seekers, there were also of the Revolutionary party blatant demagogues first, indeed, not only those naturally

conservative by reason of wealth, or accepting the appointment of councillor in 1774, he became at once obnoxious to the dominant party, and in August, when visiting Connecticut on business connected with his large landed interests there, he was arrested by the citizens of the town of Union, and a mob of five hundred persons accompanied him over the state line intending to convey him to the nearest jail. Whether their wrath became somewhat cooled by the colonel's bearing, or by a sixmile march, they released him upon his signing a paper dictated to him, of which the following is a copy, printed at the time in the Boston Gazette :

pride of birthright, but nearly all the intellectual leaders, both ecclesiastic and civilian, deprecated revolt as downright suicide. They denounced the Stamp Act as earnestly, they loved their country in which their all was at stake as sincerely, as did their radical neighbors. Some of them, after the bloody nineteenth of April, acquiesced with such grace as they could in what they now saw to be inevitable, and tempered with prudent counsel the blind zeal of partisanship: thus ably serving their country in her need. Others would have awaited the issue of events as neutrals; but such the committees of safety, or a mob, not unnaturally treated as enemies.

On the highest rounds of the social ladder stood the great-grandsons of Major Simon Willard, the Puritan commander in the war of 1675. These three gentlemen had large possessions in land, were widely known throughout the Province, and were held in deserved esteem for their probity and ability. They were all royalists at heart, and all connected by marriage with royalist families. Abijah Willard, the eldest, had just passed his fiftieth year. He had won a captaincy before Louisburg when but twenty-one, and was promoted to a colonelcy in active service against the French; was a thorough soldier, a gentleman of stately presence and dignified manners, and a skilful manager of affairs. For his first wife, he married Elizabeth, sister of Colonel William Prescott; for his second, Mrs. Anna Prentice, but had recently married a third partner, Mrs. Mary McKown, of Boston. He was the wealthiest citizen of Lancaster, kept six horses in his stables, and dispensed liberal hospitality in the mansion inherited from his father Colonel Samuel Willard. By

-

STURBRIDGE, August 25, 1774.

Whereas I Abijah Willard, of Lancaster, have been appointed by mandamus Counselor for this province, and have without due Consideration taken the Oath, do now freely and solemnly and in good faith promise and engage that I will not set or act in said Council, nor in any other that shall be appointed in such manner and form, but that I will, as much as in me lies, maintain the Charter Rights and Liberties of the Province, and do hereby ask forgiveness of all the honest, worthy Gentlemen that I have offended by taking the abovesaid Oath, and desire this may be inserted in the public Prints. Witness my Hand

ABIJAH WILLARD.

From that time forward Colonel Willard lived quietly at home until the nineteenth of April, 1775; when, setting out in the morning on horseback to visit his farm in Beverly, where he had planned to spend some days in superintending the planting, he was turned from his course by the swarming out of minute-men at the summons of the couriers bringing the alarm from Lexington, and we next find him with the British in Boston. He never saw Lancaster again. It is related that, on the