The American Poet at the Movies: A Critical HistoryThe American Poet at the Movies: A Critical History presents a series of case studies that shows how poets perceived the new technology of cinema as a rival threatening to their prestige, but also as a sister art deserving of encouragement. Each chapter places a key poem at the center and takes up the issues arising from the engagement of these two art forms, such as the poets' mixed feelings about living in a national culture dominated by visual media. Whether it is Hart Crane writing on Chaplin, Delmore Schwartz on Marilyn Monroe, Frank O'Hara on James Dean, or Louise Erdrich on John Wayne, poets have made sense of their own time by reference to film icons and values shared by all Americans thanks to the dream factory, Hollywood. As an increasingly popular genre of modern poetry, and one that permits a unique view of this century's dominant art form, the movie poem has needed an explanatory book like this one. As cinema and television continue to wield extraordinary influence over the lives of all Americans, the efforts of poets to understand the visual culture will come to be appreciated as central to the task of modern and postmodern literature. This critical history is an important and timely contribution to the study of American literature and American institutions. "One of the impressive things about the book is that while pursuing the seemingly narrow category of poems-about-movies, Goldstein is able to raise and illuminate virtually all the key issues surrounding the poetry of the period." - Roger Gilbert, Cornell University ". . . a discerning book, combining criticism and social history. It satisfies scholarly standards while appealing to general readers." - Philip French, coeditor of the Faber Book of Movie Verse "In this work, [Goldstein] provides a new way of looking at American poets, both familiar and neglected. The approach is chronological and thematic, and films are seen from black, gay, Jewish, and feminist as well as middle-class white perspectives." Library Journal Laurence Goldstein is editor of the Michigan Quarterly Review and Professor of English, University of Michigan. |
Contents
Introduction | 3 |
Vachel Lindsay and the Poetics | 19 |
Speaking the Mot Juste in the | 39 |
Copyright | |
9 other sections not shown
Other editions - View all
Common terms and phrases
American artist audience authority become begins body called Carl Sandburg cave century Chaplin character cinema claims Crane criticism culture death desire dream early effect Eliot especially essay example experience face fantasy feel figure film Godard Hollywood human imagination Jewish John kind language later Letters light Lindsay literary lives look MacLeish means medium Michigan mind moviegoing moving narrative nature never novel O'Hara offered opening period picture play pleasure poem poet poetic poetry popular present Press readers reality remarks represents rhetorical Rich scene Schwartz screen seems sense Shapiro social society star story style television theater thing tion tradition turn University verse visual watch West woman writing York