As You Like itHarvester Wheatsheaf, 1992 - 114 pages |
Contents
Preface | vi |
The stage history and the critical reception | xviii |
4 | xix |
Copyright | |
11 other sections not shown
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Common terms and phrases
action Adam alliteration already appeared Arden audience banished becomes called Celia century certainly characters clear comedy comes contrast course critics disguise Duke earlier early effect Elizabethan equal feel female final follows fool forest four Frederick Ganymede given gives heart human interest Jaques Jaques's John kind language later least London look lover male matter mean melancholy merely mind nature never occurs Oliver once Orlando performance perhaps person Phebe play play's poet poetry political possible present Press production question reference response Rosalind scene seems seen sense sexual Shakespeare Silvius simply songs speak speech stage story suggest surely talk theatre theme things thou thought Touchstone trees truth turn University whole woman women wooing wrestling writing wrote
References to this book
Shakespeare’s Imagined Persons: The Psychology of Role-Playing and Acting P. Murray No preview available - 1996 |