Visual Methods in Social Research

Front Cover
SAGE, May 1, 2001 - Social Science - 201 pages

There has been an explosion of interest in visual culture - coming largely from work in sociology, anthropology and cultural studies and while there are a number of practical and technical manuals available for film, photographic and other visual media, there is a dearth of writing that combines both the practical and the technical. This book redresses this with a balanced approach that is written primarily for students in the social sciences who wish to use visual materials in the course of empirical, qualitative field research. It should also be of interest to experienced researchers who wish to expand their methodological approaches.

 

Contents

IV
1
V
2
VI
7
VII
9
VIII
13
X
14
XI
18
XII
22
XLI
99
XLII
100
XLIII
102
XLIV
111
XLV
112
XLVI
114
XLVII
117
XLVIII
118

XIII
24
XIV
28
XV
33
XVI
34
XVII
37
XVIII
42
XIX
49
XXI
51
XXII
54
XXIII
56
XXIV
57
XXV
61
XXVI
62
XXVII
64
XXVIII
67
XXIX
68
XXX
73
XXXII
79
XXXIII
80
XXXIV
83
XXXV
86
XXXVI
87
XXXVIII
90
XXXIX
94
XL
96
XLIX
119
L
122
LI
127
LII
128
LIII
131
LIV
132
LV
139
LVII
144
LVIII
145
LIX
147
LX
149
LXI
151
LXII
152
LXIII
155
LXIV
161
LXV
164
LXVI
167
LXVII
175
LXIX
177
LXX
178
LXXI
181
LXXII
183
LXXIII
195
LXXIV
197
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About the author (2001)

Marcus Banks is Professor of Visual Anthropoloigy at the University of Oxford. Having completed a doctorate in social anthropology at the University of Cambridge, with a study of Jain people in England and India, he trained as an ethnographic documentary filmmaker at the National Film and Television School, Beaconsfield, UK. He is the author Using Visual Data in Qualitative Research (2007) and co-editor of Rethinking Visual Anthropology (1997, with Howard Morphy), and Made to be Seen: Perspectives on the History of Visual Anthropology (2011, with Jay Ruby), as well as publishing numerous papers on visual research. He has published on documentary film forms and film practice in colonial India, and is currently conducting research on image production and use in forensic science practice.

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