Reading by Starlight: Postmodern Science Fiction
Including studies of leading science fiction and cyberpunk texts, Damier Broderick considers the characteristic writing, marketing and reception of sci-fi which distinguish it as a genre.Reading by Starlight explores the characteristics in the writing, marketing and reception of science fiction which distinguish it as a genre.Damier Broderick explores the postmodern self-referentiality of the sci-fi narrative, its intricate coded language and discursive 'encyclopaedia'. He shows how, for perfect understanding, sci-fi readers must learn the codes of these imaginary worlds and vocabularies, all the time picking up references to texts by other writers.Reading by Starlight includes close readings of paradigmatic cyberpunk texts and writings by SF novelists and theorists including Isaac Asimov, Arthur C. Clarke, Brian Aldiss, Patrick Parrinder, Kim Stanley Robinson, John Varley, Roger Zelazny, William Gibson, Fredric Jameson and Samuel R. Delaney.
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NEW WORLD NEW TEXTS
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THE STARS MY DISSERTATION
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Aldiss alien attempts attention become better called Chapter character claim close codes cognitive common constituted constructed course critical culture definition Delany Delany's detail discourse discussion dreams early effect episteme especially estrangement example experience fantasy figure formula future genre given Helliconia human ibid icons images imagination important individual interesting invented Jameson John kind knowledge language least less limited literary literature Marxism means mega-text metaphor mode move myth narrative nature never notes novel object observes offers once perhaps play political position possible postmodern practice precisely question readers reading reality recent reference relation remains science fiction scientific seems semiotic sense sf's signifiers social space specific Stars story strategies structure textual theory things traditional tropes true turn universe usually volume writing
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Peter Middleton,Tim Woods
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Science-fiction Studies, Volume 25, Part 3
Snippet view - 1998