The Framework of Fiction: Socio-cultural Approaches to the Novel'...offers thoughtful summaries and critiques of both Marxist...and moralist...theories of the novel in society. The primary focus, however, is on a detailed study of the social context of the novel and the changing relationship between novelists and their readers...' |
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Page 205
... Bond . ( B ) Villain moves and appears to Bond ( perhaps in vicari- ous forms ) . ( C ) Bond moves and gives first check to Villain or Villain gives first check to Bond . ( D ) Woman moves and shows herself to Bond . ( E ) Bond takes ...
... Bond . ( B ) Villain moves and appears to Bond ( perhaps in vicari- ous forms ) . ( C ) Bond moves and gives first check to Villain or Villain gives first check to Bond . ( D ) Woman moves and shows herself to Bond . ( E ) Bond takes ...
Page 206
... Bond novel . " Thunderball ' : Formula in Action Thunderball was the eighth Bond novel , written in 1960 and published in 1961 , an important turning point in Fleming's career , the year of the filming of Dr No , the first Bond film ...
... Bond novel . " Thunderball ' : Formula in Action Thunderball was the eighth Bond novel , written in 1960 and published in 1961 , an important turning point in Fleming's career , the year of the filming of Dr No , the first Bond film ...
Page 211
... Bond stories were usually serialised after publication ; pandering to it meant that Fleming had to reverse the status of America and Britain in the persons of Bond and the CIA man Leiter , who features in the novels as Bond's brave but ...
... Bond stories were usually serialised after publication ; pandering to it meant that Fleming had to reverse the status of America and Britain in the persons of Bond and the CIA man Leiter , who features in the novels as Bond's brave but ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic allowed appears approach attempt became become Bond called century chapter characters claims concern context conventional course critics culture described detail Dickens Eagleton early economic edition elements English evidence example existence expectations fact fiction figures genre given Hardy hero History idea ideology individual Industry influence interest John later Lawrence Leavis less libraries literary Literature Marxist material method middle middle-class nature novel novelists Oliver origins particular Penguin period political popular possible present pressures production publishers readers readership reading referred reflect regarded relation relationship reprints result role Scott seems sense serial social society socio-cultural Sociology standard structure success suggests theory traditional turn University Press values Victorian volume Waverley women writers written