The Framework of Fiction: Socio-cultural Approaches to the Novel'...offers thoughtful summaries and critiques of both Marxist...and moralist...theories of the novel in society. The primary focus, however, is on a detailed study of the social context of the novel and the changing relationship between novelists and their readers...' |
From inside the book
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Page 171
... Lawrence is sensitive and spiritual . ( ' D. H. Lawrence and Women in Love ' in Boris Ford ( ed . ) The Pelican Guide to English Literature vol . 7 Penguin 1964 , p . 284 ) Even in the highly regarded The Rainbow there are traces of ...
... Lawrence is sensitive and spiritual . ( ' D. H. Lawrence and Women in Love ' in Boris Ford ( ed . ) The Pelican Guide to English Literature vol . 7 Penguin 1964 , p . 284 ) Even in the highly regarded The Rainbow there are traces of ...
Page 188
... Lawrence's favourite meta- phors ) grows through a concrete pavement and effectively negates it . ' ( Holderness , p ... D. H. Lawrence : The Critical Heritage ed . Draper , RKP 1970 , p . 102 ) The publishers , Methuen , who made no ...
... Lawrence's favourite meta- phors ) grows through a concrete pavement and effectively negates it . ' ( Holderness , p ... D. H. Lawrence : The Critical Heritage ed . Draper , RKP 1970 , p . 102 ) The publishers , Methuen , who made no ...
Page 243
... D. H. Lawrence's social origins ' , Literature and History ( Spring 1980 ) F. R. Leavis , D. H. Lawrence : Novelist ( Chatto & Windus , 1962 ) Marvin Mudrick , ' The originality of The Rainbow ' , in D. H. Lawrence : Twentieth Century ...
... D. H. Lawrence's social origins ' , Literature and History ( Spring 1980 ) F. R. Leavis , D. H. Lawrence : Novelist ( Chatto & Windus , 1962 ) Marvin Mudrick , ' The originality of The Rainbow ' , in D. H. Lawrence : Twentieth Century ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
4 other sections not shown
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
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aesthetic allowed appears approach attempt became become Bond called century chapter characters claims concern context conventional course critics culture described detail Dickens Eagleton early economic edition elements English evidence example existence expectations fact fiction figures genre given Hardy hero History idea ideology individual Industry influence interest John later Lawrence Leavis less libraries literary Literature Marxist material method middle middle-class nature novel novelists Oliver origins particular Penguin period political popular possible present pressures production publishers readers readership reading referred reflect regarded relation relationship reprints result role Scott seems sense serial social society socio-cultural Sociology standard structure success suggests theory traditional turn University Press values Victorian volume Waverley women writers written