The Framework of Fiction: Socio-cultural Approaches to the Novel'...offers thoughtful summaries and critiques of both Marxist...and moralist...theories of the novel in society. The primary focus, however, is on a detailed study of the social context of the novel and the changing relationship between novelists and their readers...' |
From inside the book
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Page 51
... ( described in more detail in Chapter 5 ) as the dominant nineteenth - century LMP determined the selection of authors for publication ( because the libraries had a monopoly on purchasing new fiction ) , the pace of production ( three ...
... ( described in more detail in Chapter 5 ) as the dominant nineteenth - century LMP determined the selection of authors for publication ( because the libraries had a monopoly on purchasing new fiction ) , the pace of production ( three ...
Page 71
... described as presenting middle - class values if the values of its author are middle class and are explicitly presented in the text or if the characters are middle class ( or have adopted middle - class values ) and are treated in a way ...
... described as presenting middle - class values if the values of its author are middle class and are explicitly presented in the text or if the characters are middle class ( or have adopted middle - class values ) and are treated in a way ...
Page 83
... described . For women in general the eighteenth century was a period of increasing economic depen- dence on their husbands as they were progressively excluded from various traditional occupations . ( The development of the word ...
... described . For women in general the eighteenth century was a period of increasing economic depen- dence on their husbands as they were progressively excluded from various traditional occupations . ( The development of the word ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
4 other sections not shown
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The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic allowed appears approach attempt became become Bond called century chapter characters claims concern context conventional course critics culture described detail Dickens Eagleton early economic edition elements English evidence example existence expectations fact fiction figures genre given Hardy hero History idea ideology individual Industry influence interest John later Lawrence Leavis less libraries literary Literature Marxist material method middle middle-class nature novel novelists Oliver origins particular Penguin period political popular possible present pressures production publishers readers readership reading referred reflect regarded relation relationship reprints result role Scott seems sense serial social society socio-cultural Sociology standard structure success suggests theory traditional turn University Press values Victorian volume Waverley women writers written