The Framework of Fiction: Socio-cultural Approaches to the Novel'...offers thoughtful summaries and critiques of both Marxist...and moralist...theories of the novel in society. The primary focus, however, is on a detailed study of the social context of the novel and the changing relationship between novelists and their readers...' |
From inside the book
Results 1-3 of 34
Page 38
... interests . ( On Literature and Art , Progress Publishers , 1973 , p . 11 ) However , he is adamant on the instrumental ... interest in the novel and his efforts to relate Marxist thought to traditional literary culture , in a way which ...
... interests . ( On Literature and Art , Progress Publishers , 1973 , p . 11 ) However , he is adamant on the instrumental ... interest in the novel and his efforts to relate Marxist thought to traditional literary culture , in a way which ...
Page 46
... interest . Hegemony differs from ideology in being less a formal , articulated system of meanings than what Williams ... interest ' of the ruling group may be expressed in hegemonic terms as ' the national interest ' . ) In culture ...
... interest . Hegemony differs from ideology in being less a formal , articulated system of meanings than what Williams ... interest ' of the ruling group may be expressed in hegemonic terms as ' the national interest ' . ) In culture ...
Page 142
... interests of one were the interests of all ' ( ibid . p . 460 ) . So great is the weight of the author's endorsement for the position of Carson and Job Legh in this apparently supplementary chapter that the reader is left in no doubt ...
... interests of one were the interests of all ' ( ibid . p . 460 ) . So great is the weight of the author's endorsement for the position of Carson and Job Legh in this apparently supplementary chapter that the reader is left in no doubt ...
Contents
Theoretical Approaches | 21 |
Defoe and Richardson | 59 |
Varieties of Conservative | 87 |
Copyright | |
4 other sections not shown
Other editions - View all
The Framework of Fiction: Socio-cultural Approaches to the Novel John Bull No preview available - 1988 |
Common terms and phrases
aesthetic allowed appears approach attempt became become Bond called century chapter characters claims concern context conventional course critics culture described detail Dickens Eagleton early economic edition elements English evidence example existence expectations fact fiction figures genre given Hardy hero History idea ideology individual Industry influence interest John later Lawrence Leavis less libraries literary Literature Marxist material method middle middle-class nature novel novelists Oliver origins particular Penguin period political popular possible present pressures production publishers readers readership reading referred reflect regarded relation relationship reprints result role Scott seems sense serial social society socio-cultural Sociology standard structure success suggests theory traditional turn University Press values Victorian volume Waverley women writers written