Kate Bush and Hounds of LoveThe main body of this book consists of a linear track-by-track musical analysis of Kate Bush's albums released between 1978 and 2005. In particular, it pays close attention to the 1985 album Hounds of Love, which forms the centrepiece of the author's musical analysis. |
Contents
Her Early Work | 11 |
Hounds of Love | 35 |
Summary | 54 |
Accent and The Grain of the Voice | 63 |
Style Indicators | 69 |
Shades and Degrees of Authorship | 81 |
Extensions or Detractions? | 88 |
Hair of the Hound | 98 |
Her Later Work | 105 |
| 135 | |
| 141 | |
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Common terms and phrases
accompaniment acoustic addition Aerial aesthetic artist auteur auteur theory authorial authorship backing track bass Björk Bush's chords chorus cinema classic Cloudbusting collaborators commercial conceptual connotations creative critical dance David Gilmour debut Del Palmer Despite Dreaming drum echoes effective elements emotional English ethnic example Fairlight feel female film gender genre guitar Hounds of Love huge ibid imbued influences instrumental interviews Irish Jovanovic Kate Bush Kick Inside Kruse Lionheart lyric Madonna male melisma melody Michael Kamen mime mood move musicians narrative nature never Ninth Wave overall Palmer particularly performance Peter Gabriel piano playing pop video popular music previous album previous track producer reached number Red Shoes referenced relationship release role samples Sensual World sequence singing single solo song sonic sound standardised structure studio style success Sutcliffe symbolic terrain textures timbres title track tradition Trio Bulgarka verse visual vocal voice whilst Whiteley Wuthering Heights