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This book, with its pragmatic, economic, and emphasis on maximizing social welfare, introduces, explains, illustrates, supports, questions, and criticizes the history, development, present status, and future of the major "branches" of Intellectual Property Law in the United States in a concise yet thorough manner.
I highly recommend it to anyone remotely interested in publishing, in the creation of music or any other form of art, in technology, in law, in politics, in education, in business, in culture, in industry, and in the future of the United States itself.

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The Political Economy of Intell. Prop.
public theory, workings of demand and supply in IP

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