Science-fiction Studies, Volume 22SFS Publications., 1995 - Electronic journals |
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Page 388
... traditional views of a stable and classifiable body . Siegel's film works , through the character of Miles , to shatter the phallic mirror . Miles sees himself reflected in a miroir noir and can no longer recog- nize himself as a ...
... traditional views of a stable and classifiable body . Siegel's film works , through the character of Miles , to shatter the phallic mirror . Miles sees himself reflected in a miroir noir and can no longer recog- nize himself as a ...
Page 390
... traditional masculinity . Yet the frame ending , like the endings of many noir works , reaffirms masculinity tenuously at best . Miles may be about to be rescued by the FBI , but his horri- fied , shattered face , which is the last ...
... traditional masculinity . Yet the frame ending , like the endings of many noir works , reaffirms masculinity tenuously at best . Miles may be about to be rescued by the FBI , but his horri- fied , shattered face , which is the last ...
Page 391
... traditional masculine behavior . Once he transforms , he dresses in a business suit and leaves Elizabeth alone in the evenings to go to important meetings . Geoffrey has been transformed from an adolescent male stereotype into a ...
... traditional masculine behavior . Once he transforms , he dresses in a business suit and leaves Elizabeth alone in the evenings to go to important meetings . Geoffrey has been transformed from an adolescent male stereotype into a ...
Contents
Susan Ayres The Straight Mind in Russs The Female Man | 22 |
Arthur B Evans The New Jules Verne | 35 |
Cathy Peppers Dialogic Origins and Alien Identities in Butlers | 47 |
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