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Two nouns, or two adjectives, connected by a fingle copulative or disjunctive, are not separated by a point but when there are more than two, or where the conjunction is understood, they must be diftinguished by a comma.

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Simple members connected by relatives and comparatives, are for the moft part diftinguifhed by a comma; but when the members are fhort in comparative fentences; and when two members are closely connected by a relative, restraining the general notion of the antecedent to a particular sense ; the paufe becomes almost infenfible, and the comma is better omitted.

EXAMPLES.

Raptures, transports, and ecftacies, are the rewards which they confer : fighs and tears, prayers and broken hearts, are the offerings which are paid to them.'

'Gods partial, changeful, paffionate, unjust: Whofe attributes were rage, revenge, or luft.'

POPE.

• What is sweeter than honey? and what is ftronger than a lion?'

A circumstance of importance, though no more than an imperfect phrafe, may be set off with a comma on each fide, to give it greater force and diftinction.

EXAMPLE.

The principle may be defective or faulty; but the confequences it produces are fo good, that, for the benefit of mankind, it ought not to be extinguished.'

A member of a sentence, whether fimple or compounded, that requires a greater paufe than a comma, yet does not of itfelf make a complete fentence, but is followed by fomething clofely depending on it, may be diftinguished by a femicolon.

EXAMPLE.

But as this paffion for admiration, when it works according to reason, improves the beautiful part of our fpecies in every thing that is laudable; fo nothing is more deftructive to them, when it is governed by vanity and folly.'

Here the whole fentence is divided into two parts by the femicolon: each of which parts is a compounded member, divided into its fimple members by a comma.

A member of a sentence, whether fimple or compounded, which of itself would make a complete fentence, and fo requires a greater pause than a femicolon, yet is followed by an additional part making a more full and perfect fenfe, may be dif tinguished by the colon.

EXAMPLE.

Were all books reduced to their quinteffence, many a bulky author would make his appearance in à penny paper: there would be fcarce any fuch thing in nature as á folio: the works of an age would bè contained on a few fhelves; not to mention millions of volumes that would be utterly annihilated.'

Here the whole sentence is divided into four parts by colons; the first and laft of which are compounded members, each divided by a comma; the fecond and third are fimple members.

When a femicolon has preceded, and a greater paufe is ftill neceffary; a colon may be employed, though the fentence be incomplete.

The colon is alfo commonly used, when an example or a fpeech is introduced.

When a sentence is fo far perfectly finished, as not to be connected in construction with the follow ing fentence, it is marked with a period.

Befides the points which mark the pauses in dif course, there are others' that denote a different modulation of voice, in correfpondence to the fenfe: Thefe are,

The Interrogative point?

The Exclamation point! ‹ The Parenthesis ()

as, "Are you fincere?"

"How excellent is a grateful heart!"

"Know then this truth, (enough for man to know,) "Virtue alone is happiness below."

The following characters are also frequently used in compofition,

An Apoftrophe, marked thus'; as, "tho', judg'd."

am

A Caret, marked thus a; as, "I diligent."

A

A Hyphen, which is thus marked; as, “Lap dog, to-morrow."

The Acute Accent, marked thus'; as, “Fan'cy.” The Grave Accent, thus '; as, “Favour." The proper mark to distinguish a long fyllable, is this ; as, "< Rofy" and a fhort one, this ; as, Folly." This laft mark is called a Breve. A Diærefis, thus marked "

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fhews that two

vowels form feparate fyllables; as, “Creätor."

A Section is marked thus, §.

A Paragraph, thus, T.

A Quotation has two inverted commas at the beginning, and two direct ones at the end of a phrafe or paffage; as,

"The proper ftudy of mankind is man."

Crotchets or Brackets ferve to inclofe a particufar word or fentence. They are marked thus [].

An Index or Handpoints out a remarkable

paffage.

A Brace }

unites three poetical lines; or con

nects a number of words, in profe, with one com

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An Afterisk or little ftar* directs the reader to fome note in the margin. An Ellipfis is thus marked

for King.

; as,

“ K—g,”

An Obelisk, which is marked thus †, and Parallel thus, together with the letters of the alphabet, and figures, are used as references to the margin.

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APPENDIX.

AULES AND OBSERVATIONS FOR PROMOTING PERSPICUITY AND ACCURACY IN WRITING.

PERSPICUITY is the fundamental quality of ftyle; a quality fo effential in every kind of writing, that for the want of it nothing can atone.

The fludy of perfpicuity and accuracy of expreffion confifts of two parts; and requires attention to Single Words and Phrafes; and to the Construction of Sentences.

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PART I.

Of Perfpicuity and Accuracy of Expression, with respect to Single Words and Phrafes.

THESE qualities of ftyle, confidered with regard to words and phrafes, require the following properties : Purity, Propriety, and Precision.

CHAP. I.

Qf Purity.

PURITY of ftyle confifts in the ufe of fuch words, and fuch conftructions, as belong to the idiom of the language which we fpeak; in oppofition to words and phrases that are taken from other languages, or that are ungrammatical, obfolete, new-coined, or used without proper authority.

All fuch words and phrafes as the following, fhould be avoided: Quoth he; I wist not; erewhile; "beheft; felf fame; delicatele; politeffe; hauteur, &c.

CHAP. II.

Of Propriety.

PROPRIETY of language is the felection of fuch words, as the beft ufage has appropriated to thofe ideas, which we intend to exprefs by them. To preferve próst

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