Horror Zone: The Cultural Experience of Contemporary Horror CinemaIan Conrich Robin Wood has noted that horror 'has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres'. Horror is still immensely popular but its assimilation into our culture continues apace. In "Horror Zone", leading international writers on horror take horror into the world outside cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, considering, for example, "The Friday the 13th" films as a contemporary grand guignol, the new series of "Mummy" and "Blade" films as blockbusters, and horror film marketing on the internet. They also examine the relationship between the contemporary horror film and the theme park ride, the horror film as art house cinema, relationships between pornography and the horror film, set and costume design in horror films such as "The Silence of the Lambs", and the place of special effects in this most reputable of film genres. |
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Page 71
... fandom as having distinct boundaries and there is much overlap with other fan cultures . Vampire fandom is a particularly active area and , this too , has flourished on the Internet , overlapping as it does with horror fandom and the ...
... fandom as having distinct boundaries and there is much overlap with other fan cultures . Vampire fandom is a particularly active area and , this too , has flourished on the Internet , overlapping as it does with horror fandom and the ...
Page 84
... Fandom ' , in Sally R. Munt , ed . , Technospaces : Inside the New Media , London : Continuum , 2001 , pp . 147-60 . 6. This has been identified through participant observation during previous research into horror fandom . For a partial ...
... Fandom ' , in Sally R. Munt , ed . , Technospaces : Inside the New Media , London : Continuum , 2001 , pp . 147-60 . 6. This has been identified through participant observation during previous research into horror fandom . For a partial ...
Page 92
... fandom are mediated by types of niche magazines and fanzines as well as being mediated online . 19 Also , subcultural norms may tend to be internalised by individual fans , meaning that fans could recognise their own subcultural capital ...
... fandom are mediated by types of niche magazines and fanzines as well as being mediated online . 19 Also , subcultural norms may tend to be internalised by individual fans , meaning that fans could recognise their own subcultural capital ...
Contents
Introduction | 1 |
Manufacture and Design | 4 |
The Horror Blockbuster | 27 |
Copyright | |
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28 Days Later aesthetic Antichrist apocalypse argues audience auteurs become Blair Witch Project blind blockbuster body box office characters comic book Conrich contemporary horror conventions critical Cronenberg cult dark ride David Cronenberg director disability discussion Evil Dead example experience exploitation fan communities fan culture fandom Fangoria female fiction film festivals film's filmmakers Frankenstein Friday the 13th FrightFest ghost Gothic high concept Hollywood horror cinema horror fan horror films horror genre horror rides hybrid Ian Conrich Ibid interactive Internet Jason killer London magazines mainstream marketing Matt Hills monster movie Mummy narrative Nazi Nightmare on Elm paracinematic popular pornography Premiere production notes release Routledge scenes Scream Screen International sexual slasher films social special effects splatter films Star story studies subcultural capital taste television texts theatre theme park University Press Vampire victims Video Watchdog viewer vision York zombies