Horror Zone: The Cultural Experience of Contemporary Horror CinemaIan Conrich Robin Wood has noted that horror 'has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres'. Horror is still immensely popular but its assimilation into our culture continues apace. In "Horror Zone", leading international writers on horror take horror into the world outside cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, considering, for example, "The Friday the 13th" films as a contemporary grand guignol, the new series of "Mummy" and "Blade" films as blockbusters, and horror film marketing on the internet. They also examine the relationship between the contemporary horror film and the theme park ride, the horror film as art house cinema, relationships between pornography and the horror film, set and costume design in horror films such as "The Silence of the Lambs", and the place of special effects in this most reputable of film genres. |
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Page 4
... horror productions are pushing . The concept for this book came from realising the need to consider in depth the contexts in which contemporary horror cinema has been operating . There has been a growth within cinema studies to look ...
... horror productions are pushing . The concept for this book came from realising the need to consider in depth the contexts in which contemporary horror cinema has been operating . There has been a growth within cinema studies to look ...
Page 6
... cinematic style and present a political challenge to dominant aesthetic judgements . In the article by Joan Hawkins , which opens section three , the issue of an aspect of horror cinema presenting a cultural confrontation is continued ...
... cinematic style and present a political challenge to dominant aesthetic judgements . In the article by Joan Hawkins , which opens section three , the issue of an aspect of horror cinema presenting a cultural confrontation is continued ...
Page 197
The Cultural Experience of Contemporary Horror Cinema Ian Conrich. horror cinema as ultimately irreducible to a politics of ideological re- inscription ? In other words , do graphic displays of cinematic terror inevitably confound , if ...
The Cultural Experience of Contemporary Horror Cinema Ian Conrich. horror cinema as ultimately irreducible to a politics of ideological re- inscription ? In other words , do graphic displays of cinematic terror inevitably confound , if ...
Contents
Introduction | 1 |
Manufacture and Design | 4 |
The Horror Blockbuster | 27 |
Copyright | |
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