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Constructs and Percepts
Gestures Costumes and Properties
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action actor addition aesthetic allusions amalgam appear appropriate asserts audience becomes begins body calls characters comes constructs contrast coterie critical death derives Desdemona difference drama dramatic adaptation dramatists dramaturgical Elizabethan emphasis enters episode example exposition eyes father Faustus figure finds flow gesture gives hand hear Heywood human husband Iago Iago's imitation imply infer invented Killed kind kinetic King language leave Leontes London marriage Marston matter means metaphor moral moving nature night observes Othello passage passion past percepts play playwrights plot popular present prose fiction reality reason relations represent response retains says scene seems sense sexual Shakespeare shifting short significance social space spatial speaks speech stage story suggests Tale theatre thematic things thinks thou tion tradition tragedy tragic turn whole wife woman