CLASS XI.

French, English, and German Schools, Thirteenth and Fourteenth Centuries.

Nature of the Object.

a Devotional tablet.

b Devotional tablet.

c Devotional tablet.

d Devotional tablet.
e Pair of devotional
tablets.

f Devotional tablet.
g Pair of devotional
tablets.

h Pair of devotional tablets.

i Devotional tablet.

k Devotional tablet (probably English).

7 Panel from a box.

m Pair of devotional tablets.

n Centre - piece of a small Triptych.

o Piece from a box. p Devotional tablet. q Devotional tablet. r Devotional tablet.

Sacred Subjects.

Subject of the Sculpture.

Below, the Presentation in the Temple;
above, Christ and the Virgin in glory.
Below, Adoration of the kings; above, Coro-
nation of the Virgin.

Below, Adoration of the shepherds; above,
the Resurrection.

Virgin and Child, with two angels.
1. Virgin and Child, glorified by angels.
2. Crucifixion, with the Virgin, St. John,
and angels.

Virgin and Child, glorified by angels.
Six compartments :-(A.) Judas bargaining
with the priests, and his seizure of
Christ. (B.) Christ before Pilate, Pilate
washing his hands, and the blindfolding
of Christ. (c.) The hanging of Judas,
the Flagellation and Bearing of the cross.
(D.) The Crucifixion and Deposition.
(E.) The Anointment of Christ, and Visit
of the women to the tomb. (F.) The
Resurrection, and "Noli me tangere.”
1. Below, the Betrayal of Christ; above,
the Crucifixion.

2. Below, the Flagellation; above, the De-
position from the cross.

Three compartments: (A.) The three Kings
(part of an adoration, extending over a
companion tablet). (B.) Five Apostles.
(c.) Christ seated in judgment.

Above, the Coronation of the Virgin; below, M. Sauvageot.
St. John the Evangelist; over the cano-
pies, the armorial bearings of John Gran-
dison, Bishop of Exeter (A.D. 1327-69).
Nativity; in the background, angels ap-
pearing to the shepherds.
1. Adoration of the Magi.
2. Crucifixion.

Nativity; upon the edges of the ivory, out-
side the hinges of the wings, arabesque

ornaments.

The Descent into Hades, within a small
quatrefoil.

Above, the Entombment; below, the women
visiting the tomb.

St. John Baptist, St. Christopher, and St.
James the Greater.
Four compartments: (A.) The Crucifixion.
(B.) Christ appearing to Mary Magda-
lene; beside him, St. James the Greater.
(c.) St. Lawrence, St. Peter, and St. Paul.
(D.) St. Stephen, St. James the Greater,
and St. James the Less.

A. J. Beresford
Hope, Esq.
British Museum
(Collection of
Antiquities).
W. Maskell, Esq.

Fejérváry Collec-
tion.

A. J. Beresford
Hope, Esq.

H

CLASS XII.

French, English, and German Schools, Thirteenth and Fourteenth Centuries.

Nature of the Object.

a Mirror-case (both sides).

b One side of a mir

ror-case.

c One side of a mir

ror-case.

Secular Subjects.

Subject of the Sculpture.

1. Four groups of lovers under trees.
2. Similar subject.

Ginevra eloping with Sir Lancelot; around
the edge, four monsters.

Siege and capture of the Castle of Love;
around the edge, statuettes of lions.

d One side of a mir- A

ror-case.

A lady and gentleman playing at
draughts, two other persons looking on;
round the edge, four monsters.

Possession of the Original. Louvre.

Fejérváry Collec

tion. Museum of Ornamental Art, Marlborough House. M. Sauvageot.

e One side of a mir- A lady and her lover, with an attendant, Rev. W. Sneyd. hawking; around the edge, four monsters crouching.

ror-case.

f One side of a mir

ror-case.

g One side of a mir

ror-case.

h Three pieces from a box.

i Cover of a box.

k Diptych, or writing tablet (both leaves).

7 Writing tablet.

A lady and gentleman coursing a hare.

Knight presenting a heart to a lady; on
the edge, four leaves.

W. Maskell, Esq.

W. Maskell, Esq.

1. Pyramus accosting Thisbe and her Rev. W. Sneyd. companion.

2. Pyramus addressing Thisbe on the city

wall, and Thisbe concealing herself from
the lion.

3. Death of the lovers.

Four compartments: in the two central, a
tournament; on the right, the siege of
the Castle of Love, with a knight below
preparing to discharge a basket of flowers
from a balista; on the left, a lady
eloping with a knight.

1. Under a canopy, a lover gathering
flowers, which his lady makes into a
wreath.

2. Under a similar canopy, a lady and
gentleman riding to a hawking party.
A lady and gentleman hawking.

French, English, and German Schools, Thirteenth and Fourteenth Centuries.

CLASS XIV.

Italian, French, English, and German Schools, Fifteenth and Sixteenth Centuries.

Nature of the Object.

a Devotional tablet.

b Mirror-case (both sides.

Subject of the Sculpture.

Adoration of the kings.

Possession of the Original.

1. Siege and capture of the Castle of A. Fountaine, Esq.
Love.

2. Tournament.

Round the edges of each, four monsters
crouching.

c. One side of a mir- A lady and gentleman in a garden, inscribed M. Sauvageot.

ror-case.

d Basso-relievo.

e Devotional tablet.

f Pax.

g Piece from a casket (?) (Italian).

h Devotional tablet.
¿ Devotional tablet,

originally a com-
panion to the pre-
ceding.

k Tablet (German). Panel from a bookcover (German).

EN GRE (probably as intended for

a present).

Virgin and Child, with cattle below (part W. Maskell, Esq.

of an Adoration of the Shepherds).

The penitence of St. Jerome.

Virgin and dead Christ ("Pietà”).

Procession of figures, of uncertain meaning,
including apparently Joshua, Samson,
and Judith.

Genealogy of Christ (the "Jesse Tree").
The Virgin in glory, surrounded by objects
emblematical of her perfections, with
various legends.

Flagellation of Christ.

Christ receiving drink from the righteous;
with the inscription, DEDISTIS MIHI
BIBERE (Matt. xxv. 35); above and
below, allegorical figures.

J. G. Nichols, Esq.

Fejérváry Collec

tion. Louvre.

Albert Way, Esq.

Rev. Walter Sneyd.

W. Maskell, Esq.
Museum of Orna-
mental Art, Marl-
borough House.

LIBRARY

UNIVERSITY OF

CALIFORNIA.

CLASS XV.

N. 11. Devotional Crucifixion and adoration of the Magi.

W. Maskell, Esq.

Chromo-Lithographs, Engravings, Photographs, &q.

PUBLICATIONS AND WORKS OF THE ARUNDEL SOCIETY.

CHROMO-LITHOGRAPHS.

1. View of the Interior of the Arena Chapel, Padua, in 1306. By Giotto. 2. The Martyrdom of St. Sebastian, from the fresco, by Pietro Perugino, at Panicale.

1856.

3, 4. Christ among the Doctors, from the fresco, by Pinturicchio, at Spello. 5. Virgin and Child, with Saints and Angels, from a fresco of Ottaviano Nelli, in the Church of S. Maria Nuova, at Gubbio.

1856. 1857.

6. The Nativity, from a fresco, by Pinturicchio, at Spello. 7. St. Catherine borne by Angels to the Tomb, from the fresco, by Luini, Brera Gallery, Milan. 1858.

1857. 1857.

8. Madonna and Child, from a fresco, by Leonardo da Vinci, Church of S. Onofrio, Rome. 1859. 9. Madonna and Saints, with the Resurrection of Our Lord, from the fresco, by Giov. Sanzio, at Cagli. 1859.

10. Death of St. Francis of Assisi, from the fresco, by Ghirlandaio, in the Church of S. S. Trinita.

1860. 11. Two heads in fac-simile of the original, from the above fresco, by Ghirlandaio. 1860. 12. The Fall, by Filippino Lippi; the Expulsion, by Masaccio; from the fresco in the Brancacci Chapel at Florence.

13. The Tribute Money. By Masaccio.

14. St. Peter Preaching, and St. Peter Baptizing. By Masalino. 15. Two Heads from the fresco of the Tribute Money.

1861.

1861.

1861.

1861.

16. St. Peter and St. John healing the Cripple, and St. Peter raising Petronilla. By Brancacci, from the fresco in the Brancacci Chapel of the Carmine, at Florence.

17. Head from the fresco of the Raising of Petronilla.

1862. 1862.

18. St. Peter in Prison visited by St. Paul, and St. Peter delivered from Prison, from the fresco in the Brancacci Chapel of the Church of the Carmine, Florence. 1862. 19. Head from the above.

20. Marriage of St. Cecilia, from a fresco in the Church of St. Cecilia, at Bologna, by Francesco Franci.

21. Augustine Preaching, from a fresco by Benozzo Cozzoli.

1863. 1863.

22. The Annunciation, from a fresco, in the Cathedral of Spello, by Pinturicchio. 1863. 23. The Annunciation, from a fresco, by Fra Angelico, in the Convent of St. Mark's, at Florence. 1863. 24. The Madonna del Sacco, from the fresco, by Andrea del Sarto, in the Cloister of the Annunciation of Florence. 1863. 25. Dante. Portrait of. By Giotto. Discovered in 1841, in the Bargello, at Florence. 1863.

26. Duplicate of ditto.

27. The letter C. Colored in fac-simile, from the Choral Books, of St. Mark's, at Florence, and the Piccolomini Library, Siena.

28. The letter L. Colored in fac-simile, from the Choral Books of St. Mark's, at Florence, and in the Piccolomini Library, Siena.