Sex, Drugs, Rock & Roll, and Musicals

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UPNE, 2011 - Music - 280 pages
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Eager to respond to the concerns and tastes of the increasingly influential baby-boomer generation, musical theater in the late 1960s began to embrace formerly taboo subjects—including the triumvirate of postwar social change: sex, drugs, and rock & roll.

Sex, Drugs, Rock & Roll, and Musicals shows how American culture has changed over the twentieth century, from the Roaring Twenties (The Wild Party) to the cultural chaos of the ’50s (Grease) and the sexual revolution of the ’60s (Hair) and ’70s (Rocky Horror), to the rebirth of the art form in the ’90s (Bat Boy), and up to the present, exploring where we’ve been and where we might be heading. This is a celebration of the counter-culture taking center stage in the most American of performing arts, and changing it forever.
 

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Contents

Overture
The Wild Party
Grease
Hair
Jesus Christ Superstar
The Rocky Horror Show
The Best Little Whorehouse in Texas
I Love My Wife
Bat Boy
Hedwig and the Angry Inch
High Fidelity
The Rock MusicalNow and Forever
Copyright

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About the author (2011)

SCOTT MILLER is the founder and artistic director of New Line Theatre, an alternative musical theater company in St. Louis, Missouri, and he has been writing, performing in, and directing musicals since 1981. He has written a number of books on musical theater, including Strike Up the Band, Let the Sun Shine In, Rebels with Applause, Deconstructing Harold Hill, and From Assassins to West Side Story.

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