Global Hollywood""Global Hollywood" is an extremely rich book--rich in its research, rich in its critical reflections and insights. . . .Through its political economy framework, Glob"al Hollywood" touches on a vast array of important social and economic phenomena. . . . This book will be important for a number of readers: film historians and theorists, researchers of media history and politics, cultural studies scholars. . . . There are no studies I know of that deal with the range of material in "Global Hollywood" and, moreover, there are certainly none that manage to synthesize and extend existing studies by incorporating them into [such] a strong, coherent, compelling overall argument."--Dana Polan, University of Southern California "A very acute, at times brilliant, attack on many received notions on both the right and the left. It says much that needed saying, much that we didn't even know or hadn't even thought about. It's the most stimulating book about Hollywood as an industry that I have read."--Ed Buscombe "A fresh, innovative look at Hollywood's domination of global film markets, Global Hollywood is chock full of valuable material. More importantly, the book represents a challenge to status quo assumptions about Hollywood's international dominance, as well as a political challenge to film and media scholars. A definite must-read for anyone interested in globalization or Hollywood."--Janet Wasko, author of "Hollywood in the Information Age" |
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Contents
Acknowledgments Note on Authorship S | 5 |
Hollywood History Cultural Imperialism | 17 |
The New International Division of Cultural Labour | 44 |
Copyright | |
7 other sections not shown
Other editions - View all
Global Hollywood 2 Toby Miller,Nitin Govil,John McMurria,Richard Maxwell,Ting Wang Limited preview - 2019 |
Global Hollywood 2 Toby Miller,Nitin Govil,John McMurria,Richard Maxwell,Ting Wang Limited preview - 2019 |
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active advertising American Angeles Association audience audiovisual become British broadcast called Canal capital cent Chapter cinema co-production Communication companies consumer copy corporate costs countries created creative critical cultural director distribution domestic dominance economic effects Europe European example exchange export expression Figure film industry financing foreign forms France French funds global Hollywood important increased industry interests International Internet investment issues Italy John Journal labour London major March means million Motion Picture NICL offer Office ownership piracy political popular position Press production promote protection provides quoted relations release screen social Society Source space stars studios success surveillance television texts textual tion trade Union University Variety Warner Bros workers World York