Gender on the Market: Moroccan Women and the Revoicing of TraditionSelected by Choice magazine as an Outstanding Academic Book for 1996 Gender on the Market is a study of Moroccan women's expressive culture and the ways in which it both determines and responds to current transformations in gender roles. Beginning with women's emergence into what has been defined as the most paradigmatic of Moroccan male institutions--the marketplace--the book elucidates how gender and commodity relations are experienced and interpreted in women's aesthetic practices. Deborah Kapchan compellingly demonstrates that Moroccan women challenge some of the most basic cultural assumptions of their society--especially ones concerning power and authority. |
From inside the book
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Page vii
... Performance of Oratory in the Marketplace 103 Chapter Five : Reporting the New , Revoicing the Past : Marketplace Oratory and the Carnivalesque 138 Part Two : Gender on the Market Chapter Six : Women on the Market : The Subversive Bride ...
... Performance of Oratory in the Marketplace 103 Chapter Five : Reporting the New , Revoicing the Past : Marketplace Oratory and the Carnivalesque 138 Part Two : Gender on the Market Chapter Six : Women on the Market : The Subversive Bride ...
Page ix
... Performance of a shikha 18 : Shikhat singing and dancing in close proximity to their audience 19 , 20 : Two herbalists in their shops 21 : Research assistants , Abdelmajid Hafidi and Si Mohamed Zidouh 186 191 242 , 243 276 Transcription ...
... Performance of a shikha 18 : Shikhat singing and dancing in close proximity to their audience 19 , 20 : Two herbalists in their shops 21 : Research assistants , Abdelmajid Hafidi and Si Mohamed Zidouh 186 191 242 , 243 276 Transcription ...
Page xii
... are indicated by a colon after the vowel ( ha : rd = haaaaard ) . All other information relevant to the keying of the performances is enclosed in square brackets [ ] . Acknowledgments : Possession by Three Spirits It was June ,
... are indicated by a colon after the vowel ( ha : rd = haaaaard ) . All other information relevant to the keying of the performances is enclosed in square brackets [ ] . Acknowledgments : Possession by Three Spirits It was June ,
Page 2
... Performance Genres This study begins by examining women's emergence into a discursive do- main formerly dominated by men- the marketplace ( suq ) . Women's pres- ence as perry traders in Morocco is not new ( Hajjarabi 1987 , 1988 ...
... Performance Genres This study begins by examining women's emergence into a discursive do- main formerly dominated by men- the marketplace ( suq ) . Women's pres- ence as perry traders in Morocco is not new ( Hajjarabi 1987 , 1988 ...
Page 3
... performances that are either born in the mar- ket or arise in marketplace conditions , paying particular attention to femi- nine discourse . The intersection of marketplace relations with performance is a crossroads where the past meets ...
... performances that are either born in the mar- ket or arise in marketplace conditions , paying particular attention to femi- nine discourse . The intersection of marketplace relations with performance is a crossroads where the past meets ...
Contents
In the Place of the Market | 29 |
Shtara Competence in Cleverness | 50 |
Words of Possession Possession of Words The Majduba | 72 |
Words About Herbs Feminine Performance of Oratory in the Marketplace | 103 |
Reporting the New Revoicing the Past Marketplace Oratory and the Carnivalesque | 138 |
Gender on the Market | 151 |
Women on the Market The Subversive Bride | 153 |
Catering to the Sexual Market Female Performers Defining the Social Body | 181 |
Terms of Talking Back Womens Discourse on Magic | 235 |
Conclusion Hybridization and the Marketplace | 275 |
Discourse of the Majduba | 280 |
Discourse of the Ashshaba | 290 |
Glossary | 297 |
299 | |
321 | |
323 | |
Other editions - View all
Gender on the Market: Moroccan Women and the Revoicing of Tradition Deborah Kapchan Limited preview - 2010 |
Gender on the Market: Moroccan Women and the Revoicing of Tradition Deborah Anne Kapchan No preview available - 1996 |
Common terms and phrases
Aisha allah audience Bakhtin baraka bargaining Bauman becomes Beni Mellal Berber blessing body boundaries bride Cambridge Casablanca classical Arabic client cloth commodity context culture da'wa dialogue discourse domain dyal embodies expressive Fadela Fatna female feminine festive fitna folklore fqih gender genres give going gold gossip hadith halqa harmal herbalist herbs here's ḥənna honor husband hybrid Islam l-mra lalla language linguistic llah magic maid majduba male marketplace marketplace oratory Mellal mən Moroccan Arabic Morocco mother mother-in-law Moulay Ibrahim Muslim nafs narrative nǝggafa niya performance political practices prix fixe Prophet Qur'an realm relations religious reported speech revoicing ritual riyals role sell sexual shikhat social society someone status symbolic talk tell tion told tqaf traditional University of Pennsylvania University Press verbal voice wajib wedding Whoever woman vendor women words Yeah York Zohra
Popular passages
Page 17 - These images of agency are increasingly distortions of a world of merchandising so subtle that the consumer is consistently helped to believe that he or she is an actor, where in fact he or she is at best a chooser.
Page 27 - Barthes ironically invites us to imagine someone (a kind of Monsieur Teste in reverse) who abolishes within himself all barriers, all classes, all exclusions, not by syncretism but by simple discard of that old specter: logical contradiction: who mixes every language, even those said to be incompatible...