Shakespearean CriticismMichelle Lee Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Page 13
... fiction supporting Gloucester's " fall " ] methought his eyes Were two full moons ; he had a thousand noses , Horns whelk'd and wav'd like the enridged sea . It was some fiend . ( IV.vi.69-72 ) In the midst of these fictions Edgar turns ...
... fiction supporting Gloucester's " fall " ] methought his eyes Were two full moons ; he had a thousand noses , Horns whelk'd and wav'd like the enridged sea . It was some fiend . ( IV.vi.69-72 ) In the midst of these fictions Edgar turns ...
Page 244
... fiction can affect the world in which we live . If , on the other hand , the audience heeds Shakespeare's warnings and doubts his fiction , it can expose the sug- gested metaphoric connections between the life and art as " mere " fictions ...
... fiction can affect the world in which we live . If , on the other hand , the audience heeds Shakespeare's warnings and doubts his fiction , it can expose the sug- gested metaphoric connections between the life and art as " mere " fictions ...
Page 290
... fiction . Iachimo's portrait literally provides the " ground " for Posthumus's - Iachimo may even speak from the back of the stage , while Posthumus moves down front to deliver his soliloquy . Thus , Iachimo's carefully - wrought fiction ...
... fiction . Iachimo's portrait literally provides the " ground " for Posthumus's - Iachimo may even speak from the back of the stage , while Posthumus moves down front to deliver his soliloquy . Thus , Iachimo's carefully - wrought fiction ...
Contents
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Copyright | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York