Horror Zone: The Cultural Experience of Contemporary Horror CinemaIan Conrich Robin Wood has noted that horror 'has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres'. Horror is still immensely popular but its assimilation into our culture continues apace. In "Horror Zone", leading international writers on horror take horror into the world outside cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, considering, for example, the Friday the 13th films as a contemporary grand guignol, the new series of Mummy and Blade films as blockbusters, and horror film marketing on the Internet. They also examine the relationship between the contemporary horror film and the theme park ride, the horror film as art house cinema, relationships between pornography and the horror film, set and costume design in horror films such as "The Silence of the Lambs", and the place of special effects in this most reputable of film genres. |
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Page 30
... Bram Stoker's Dracula is so much more . The production notes for the film describe Dracula as being “ as appealing as he is repulsive , seductive as he is terrifying , the only demon who can take truly human form , allowing for the ...
... Bram Stoker's Dracula is so much more . The production notes for the film describe Dracula as being “ as appealing as he is repulsive , seductive as he is terrifying , the only demon who can take truly human form , allowing for the ...
Page 33
... Bram Stoker's Dracula , this approach seemed to backfire as the reviews of Wolf demonstrate . Critics responded negatively to the film's attempt to make horror mainstream . For instance , Anne Billson replied to Nichols's comments on ...
... Bram Stoker's Dracula , this approach seemed to backfire as the reviews of Wolf demonstrate . Critics responded negatively to the film's attempt to make horror mainstream . For instance , Anne Billson replied to Nichols's comments on ...
Page 42
... Bram Stoker's Dracula , p . 8 . 16. Ibid . , p . 1 . 17. Francis Ford Coppola , quoted by Tom Hutchinson , ' Hot - Blooded Dracula ' , Mail on Sunday , 25 October 1992 , p . 3. See also Thomas Austin , “ Gone With the Wings Plus Fangs ...
... Bram Stoker's Dracula , p . 8 . 16. Ibid . , p . 1 . 17. Francis Ford Coppola , quoted by Tom Hutchinson , ' Hot - Blooded Dracula ' , Mail on Sunday , 25 October 1992 , p . 3. See also Thomas Austin , “ Gone With the Wings Plus Fangs ...
Contents
Introduction | 1 |
Manufacture and Design | 4 |
Celebration Chat and Horror Film | 67 |
Copyright | |
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