Horror Zone: The Cultural Experience of Contemporary Horror CinemaIan Conrich Robin Wood has noted that horror 'has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres'. Horror is still immensely popular but its assimilation into our culture continues apace. In "Horror Zone", leading international writers on horror take horror into the world outside cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, considering, for example, the Friday the 13th films as a contemporary grand guignol, the new series of Mummy and Blade films as blockbusters, and horror film marketing on the Internet. They also examine the relationship between the contemporary horror film and the theme park ride, the horror film as art house cinema, relationships between pornography and the horror film, set and costume design in horror films such as "The Silence of the Lambs", and the place of special effects in this most reputable of film genres. |
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Page 46
... Cronenberg . A different account might claim that video culture provoked horror's second rebirth , one that Philip Brophy announced in 1983 in terms of horror's " violent awareness of itself as a saturated genre " .4 On ( and as ) video ...
... Cronenberg . A different account might claim that video culture provoked horror's second rebirth , one that Philip Brophy announced in 1983 in terms of horror's " violent awareness of itself as a saturated genre " .4 On ( and as ) video ...
Page 157
... Cronenberg's Scanners ( 1981 ) , with its infamous ' exploding head ' scene . Originally intended for Dick Smith , the HFX for the film were developed by Chris Walas and Stephan Dupuis , who , in the end , called in the help of Smith ...
... Cronenberg's Scanners ( 1981 ) , with its infamous ' exploding head ' scene . Originally intended for Dick Smith , the HFX for the film were developed by Chris Walas and Stephan Dupuis , who , in the end , called in the help of Smith ...
Page 169
... Cronenberg ( Frames of Reference of Film Criticism : an Investigation into the Interpretation and Evaluation of David Cronenberg ) , unpublished Phd Dissertation , Free University of Brussels , 2000 , pp . 327–30 , 378–9 . 21. Jason ...
... Cronenberg ( Frames of Reference of Film Criticism : an Investigation into the Interpretation and Evaluation of David Cronenberg ) , unpublished Phd Dissertation , Free University of Brussels , 2000 , pp . 327–30 , 378–9 . 21. Jason ...
Contents
Introduction | 1 |
Manufacture and Design | 4 |
Celebration Chat and Horror Film | 67 |
Copyright | |
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