Horror Zone: The Cultural Experience of Contemporary Horror CinemaIan Conrich Robin Wood has noted that horror 'has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres'. Horror is still immensely popular but its assimilation into our culture continues apace. In "Horror Zone", leading international writers on horror take horror into the world outside cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, considering, for example, the Friday the 13th films as a contemporary grand guignol, the new series of Mummy and Blade films as blockbusters, and horror film marketing on the Internet. They also examine the relationship between the contemporary horror film and the theme park ride, the horror film as art house cinema, relationships between pornography and the horror film, set and costume design in horror films such as "The Silence of the Lambs", and the place of special effects in this most reputable of film genres. |
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Page 4
The Cultural Experience of Contemporary Horror Cinema Ian Conrich. ways , and an edginess to the depictions of ... experience which can induce the bodily threat and reactions associated with a good horror film , which makes the ...
The Cultural Experience of Contemporary Horror Cinema Ian Conrich. ways , and an edginess to the depictions of ... experience which can induce the bodily threat and reactions associated with a good horror film , which makes the ...
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The Cultural Experience of Contemporary Horror Cinema Ian Conrich. films that influence this ride , the audience shares an experience that is common across horror , regardless of the medium . As Noel Carroll stresses , the horror genre ...
The Cultural Experience of Contemporary Horror Cinema Ian Conrich. films that influence this ride , the audience shares an experience that is common across horror , regardless of the medium . As Noel Carroll stresses , the horror genre ...
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... experience it . We are supposed to experience it as a loud , crass , and almost instinctual sensation , rather than as a gray sense of dread ... Horror , here , means bodily exertion : to shudder , to sweat , to squirm in our seats ...
... experience it . We are supposed to experience it as a loud , crass , and almost instinctual sensation , rather than as a gray sense of dread ... Horror , here , means bodily exertion : to shudder , to sweat , to squirm in our seats ...
Contents
Introduction | 1 |
Manufacture and Design | 4 |
Celebration Chat and Horror Film | 67 |
Copyright | |
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aesthetic Antichrist apocalypse argues audience auteurs become Blair Witch Project blind blockbuster body box office Bram Stoker's Dracula comic book Conrich contemporary horror conventions critical Cronenberg cult dark ride David Cronenberg director disability discussion entertainment Evil Dead example experience exploitation fan communities fan culture fandom Fangoria female fiction film festivals film's filmmakers Frankenstein Friday the 13th ghost Gothic Haunted high concept Hollywood horror cinema horror fan horror films horror genre horror rides hybrid Ian Conrich Ibid interactive Internet Jason killer London magazines mainstream marketing Matt Hills monster movie Mummy narrative Nazi Nightmare on Elm Oldboy paracinematic popular pornography Premiere production notes release Routledge scenes Scream Screen International sexual slasher films social special effects splatter films Star story studies subcultural capital taste television texts theatre theme park University Press Vampire victims Video Watchdog viewer vision York zombies