Horror Zone: The Cultural Experience of Contemporary Horror CinemaIan Conrich Robin Wood has noted that horror 'has consistently been one of the most popular and, at the same time, the most disreputable of Hollywood genres'. Horror is still immensely popular but its assimilation into our culture continues apace. In "Horror Zone", leading international writers on horror take horror into the world outside cinema screens to explore the interconnections between the films and modern media and entertainment industries, economies and production practices, cultural and political forums, spectators and fans. They critically examine the ways in which the horror genre functions in all its multifarious forms, considering, for example, the Friday the 13th films as a contemporary grand guignol, the new series of Mummy and Blade films as blockbusters, and horror film marketing on the Internet. They also examine the relationship between the contemporary horror film and the theme park ride, the horror film as art house cinema, relationships between pornography and the horror film, set and costume design in horror films such as "The Silence of the Lambs", and the place of special effects in this most reputable of film genres. |
From inside the book
Results 1-3 of 33
Page 6
... mainstream level of acceptance . These unconventional films are welcomed and valorised by a paracinematic audience , a dedicated cinephilia , who assert their particular taste for a cinematic style and present a political challenge to ...
... mainstream level of acceptance . These unconventional films are welcomed and valorised by a paracinematic audience , a dedicated cinephilia , who assert their particular taste for a cinematic style and present a political challenge to ...
Page 41
... mainstream . These are , of course , not the only examples of horror blockbusters , but their successes and failures are instructive . The adult - oriented literary adaptation was not a formula that could be successfully reproduced ...
... mainstream . These are , of course , not the only examples of horror blockbusters , but their successes and failures are instructive . The adult - oriented literary adaptation was not a formula that could be successfully reproduced ...
Page 116
... mainstream viewer as some of the most demanding works of the conventional avant - garde . Both within the academy and the paracinematic community , viewers address the complex relationship between cinematic ' form ' and ' content ...
... mainstream viewer as some of the most demanding works of the conventional avant - garde . Both within the academy and the paracinematic community , viewers address the complex relationship between cinematic ' form ' and ' content ...
Contents
Introduction | 1 |
Manufacture and Design | 4 |
Celebration Chat and Horror Film | 67 |
Copyright | |
11 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic Antichrist apocalypse argues audience auteurs become Blair Witch Project blind blockbuster body box office Bram Stoker's Dracula comic book Conrich contemporary horror conventions critical Cronenberg cult dark ride David Cronenberg director disability discussion entertainment Evil Dead example experience exploitation fan communities fan culture fandom Fangoria female fiction film festivals film's filmmakers Frankenstein Friday the 13th ghost Gothic Haunted high concept Hollywood horror cinema horror fan horror films horror genre horror rides hybrid Ian Conrich Ibid interactive Internet Jason killer London magazines mainstream marketing Matt Hills monster movie Mummy narrative Nazi Nightmare on Elm Oldboy paracinematic popular pornography Premiere production notes release Routledge scenes Scream Screen International sexual slasher films social special effects splatter films Star story studies subcultural capital taste television texts theatre theme park University Press Vampire victims Video Watchdog viewer vision York zombies