Science-fiction Studies, Volume 30, Issue 2SFS Publications, 2003 - Science fiction |
From inside the book
Results 1-3 of 26
Page 209
If that is perhaps less true of The Dispossessed than of The Left Hand of Darkness ( 1969 ) , The Word for World is Forest ( 1972 ) , or The Telling ( 2000 ) , it is still clearly this very quality that makes Anarres so believable .
If that is perhaps less true of The Dispossessed than of The Left Hand of Darkness ( 1969 ) , The Word for World is Forest ( 1972 ) , or The Telling ( 2000 ) , it is still clearly this very quality that makes Anarres so believable .
Page 217
In a way not unusual for horror and fantasy films of this era , Sir Joseph's comment articulates a paradoxical sense of what doing science amounted to ; it suggests , on the one hand , the claims of research , of science as the ...
In a way not unusual for horror and fantasy films of this era , Sir Joseph's comment articulates a paradoxical sense of what doing science amounted to ; it suggests , on the one hand , the claims of research , of science as the ...
Page 252
... a harried journalist with plenty of gumption ; and Romen , a self - made man ( in more than one sense ) with a deformed hand ; as well as theosophists , icon - makers , undocumented nannies , and unexpectedly adroit lab assistants .
... a harried journalist with plenty of gumption ; and Romen , a self - made man ( in more than one sense ) with a deformed hand ; as well as theosophists , icon - makers , undocumented nannies , and unexpectedly adroit lab assistants .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
American analysis anthropology appearance approach argues become begins biotechnology British called century chapter City collection colonial concerns construct contemporary critical cultural cyborg described discourse discussion distinction early effect emergence Empire essay example experience explore fact fantasy figures film forms function future genre global hand historical horror human ideas imagination imperial interest issue kind knowledge laboratories late Left less linked literary literature living London look Machine malaria Mark Marxist material mean nature notes novel offer original past perhaps political popular position possible postmodern practice present problem produced published question readers reality recent relationship science fiction scientific scientists seems sense social science society space stories studies suggests texts theory things tradition transformation turn understanding University utopia women writing York