Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 14Gale Research Company, 1984 |
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Page 51
... York . The set became less a formal framework for action than a space of apparently infinite extension and possibility into which any action fitted natu- rally . True , in Richard II , where there is least scope for diversity , the ...
... York . The set became less a formal framework for action than a space of apparently infinite extension and possibility into which any action fitted natu- rally . True , in Richard II , where there is least scope for diversity , the ...
Page 528
... York mourn and Margaret comments from a distance on their speeches . On line 39 some editors move her , " Sitting ... York's lines form a unit , if Queen Margaret's lines are asides . The line " Withdraw thee . . . " would indicate her ...
... York mourn and Margaret comments from a distance on their speeches . On line 39 some editors move her , " Sitting ... York's lines form a unit , if Queen Margaret's lines are asides . The line " Withdraw thee . . . " would indicate her ...
Page 544
... York's Servants , respectively . As these were the only two such licenses granted , Killigrew's Theatre Royal in Bridges Street and Davenant's LIN- COLN'S INN FIELDS THEATRE together formed a long standing monopoly on theatrical perfor ...
... York's Servants , respectively . As these were the only two such licenses granted , Killigrew's Theatre Royal in Bridges Street and Davenant's LIN- COLN'S INN FIELDS THEATRE together formed a long standing monopoly on theatrical perfor ...
Contents
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Copyright | |
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acting action actor Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company Royal Shakespeare Theatre Sally Beauman scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young